Wisconsin Octopus Parodies, 1920-1959

Posted on January 22, 2020 by Cullum Rogers

The Magazine

Before The Onion, the most famous humor magazine to come out of Madison was the University of Wisconsin Octopus, b. November 1919, d. 1959, after UW officials found the May issue so offensive they extinguished the title. The editors did ask for it: On one page they reproduced an official warning to quit printing smut like the previous issue; on the others they parodied Playboy. The cover of “Blayboy” — a takeoff on Playboy’s for the same month — showed the mag’s eight-handed mascot joining three startled young ladies in a bubble bath. Bye bye, Octy.

Though they shared a cover date, Playboy’s May issue came out several weeks before Octy’s “Blayboy.” Right: Official displeasure

Sixty years on, Wisconsin seems willing to forgive and remember: There are now 281 Octopus issues in the UW Digital Collection, where they can be read by just anybody. “Blayboy” is represented only by a cover and its smutty predecessor is missing entirely, but most of the rest are on hand. Rather than link to individual issues, here’s the whole set.

Vol. 1, no. 1

Octy was UW’s third humor magazine, following the Sphinx (1899-1913) — also online, though I haven’t found any parody issues — and the short-lived Awk (1915-1917). It was started privately by three students who turned it over to the school after two profitable issues. The U. mostly left it alone, though a “risque cartoon” in 1928 “led for a time to a closer review of all material by the faculty majority on the Octy board of directors,” says UW’s official history. Despite vowing in its first editorial to make “no attempt to issue numbers regularly,” Octy appeared eight to ten times a year for 23 years before pausing for World War II. Its return in 1946 was misnumbered Vol. 25, an error never corrected.

Spoofing Life, 1939

Octy flourished in the ’20s. The history tells of “glossy, quarto-sized issues running as many as sixty-four pages, colored covers, clever cartoons and graphics by student artists, and humorous prose and poetry.” At the depth of the Depression issues shrank to sixteen pages and the price fell from a quarter to a dime, but for most of the ’30s Octy was “a handsome, professional-looking magazine, better in design that most of its peers, and nearly as attractive as Vanity Fair or [The] New Yorker, on both of whom it had a noticable crush,” according to uwalumni.com. It ranked high in college humor polls and sometimes addressed serious subjects: A 1938 story by future New York Times reporter Leonard Silk exposed the Fascist leanings of a new Wisconsin-based third party called the National Progressives, and in 1939 the mag ridiculed the DAR for not allowing Marian Anderson to sing at Independence Hall.

The first sign of postwar trouble was a nearly year-long gap after the December 1951 issue. When the mag reappeared in November 1952 it was briefly called The New Octopus, though editor Ken Eichenbaum joked(?) that it looked “so damn much like the old one that six of us have decided to hang it up and transfer to Marquette.” He didn’t even mention the long hiatus. Octy retrenched to six issues a year, briefly tried a “more mature” policy and hit the financial rocks in 1955-56. “Too many students are READING the Octy without BUYING it,” grumbled an ad in the May 1956 issue, which begged for a thousand students to pledge — “NOW!” — to subscribe next fall. They didn’t, and Octy vanished for three semesters, reappearing with three issues in spring 1958 and three more in ’58-59. The last twitch was an undated reprint collection the next year that failed to spark a fourth revival. Three decades would pass before UW produced another nationally known humor rag.

Cover and three inside pages from Octy’s 1953 “Daily Cardinal” issue

II: The Parodies

May 1920

Though it modeled a cover on France’s racy La Vie Parisienne its first year, Octy produced few parodies before the 1930s and only about two dozen total. Nearly half were of the student newspaper, always impersonated under its real name: the Daily Cardinal. Most Cardinal parodies appeared as magazine pages on authentic (and cheaper) newsprint, though in 1953 a tabloid was printed separately and folded into the March number. (Such inserts tend to stray; the UWDC has the mag but no paper.) Octy’s “Cardinals” were dryer and funnier than most such efforts and not afraid to razz local heavyweights, including Wisconsin’s junior U.S. Senator from 1947 to 1957, Joe McCarthy.

Covers of Chicago Tribune and Time parodies

The Tribune was Octy’s only off-campus newspaper target, Time the only magazine hit twice.

Octy’s first big parodee was the Police Gazette, traditional reading matter of barber shops and saloons. It was a relic of grandpa’s day even in 1929, but the Bootleg Era saw the 1890s the way later generations saw the ’20s: as the last time people knew how to have fun. This foolery was followed by a jaundiced look at Hearst’s jingoistic Sunday magazine The American Weekly in 1935 and an even sharper mauling of the arch-Republican Chicago Tribune in ’38, cowritten by Leonard Silk. Octy didn’t attempt a cover-to-cover parody until 1949, when it put Republican Gov. Oscar Rennebohm, a very dark horse in the 1952 presidential stakes, inside the red borders of “Timf.” After that, parodies came out almost annually.

Collegiate whimsey meets Korea and custom cars in Octy’s “Liff,” 1953

The 1949 Badger yearbook called “Timf” the magazine’s “best post-war issue” and claimed it outsold the Daily Cardinal. The 1950 edition called “The Old Yorker” “the editorial and financial high point of the year.” My choice for best mock Oc is 1953’s “Liff.” Too many college parodists were content to focus Life’s wide-ranging lens on their own anthills and play the findings relatively straight; Octy highjacked the format to satirize Hollywood movies, Congressional hearings, cheesecake photos and Life itsef: “We do not believe in slanting words or pictures,” the lead editorial declared. “People look too thin that way.” Even the Korean stalemate was played for laughs in the “war memoirs” of a male-turned-female photographer named after Marguerite Higgins but inspired by Christine (née George) Jorgensen, who in early 1953 was as famous as Mamie Eisenhower.

Flair, Feb. 1950

Octy’s oddest parody was “Flare,” a sendup of Flair. The brainchild of Fleur Cowles, wife of Look publisher Garnder Cowles, Flair was a lavish monthly blend of heavyweight bylines, trendy arts coverage and innovative graphic design, featuring pekaboo covers, half-size and translucent pages, bound-in booklets and accordion foldouts. It appeared for exactly one year starting February 1950 and was four months dead when “Flare” appeared in May 1951. Two years later, a parody of campus mag The Wisconsin Idea coincided with the real thing’s last issue. Thereafter Octy picked sturdier targets: Life, Mademoiselle, Time again (with Athletic Director Ivan B. Williamson on the cover) and, fatally, Playboy.

Octopus Parodies of the Wisconsin Daily Cardinal, 1932-1958:

(Issues are listed by volume and number in the Digital Collection, so I’ve included that.)

The Daily Cardinal, Vol. 13, no. 6, Feb. 1932 (16 pages + 1 cover)
—–, Vol. 15, no. 6, Feb. 1934 (18, some with real ads)
—–, Vol. 18, no. 6, Feb. 1937 (13, inc. 3-page “Collegiate Digest” photo section)
—–, Vol. 20, no. 8, April 1939 (4)
—–, Vol. 22, no. 3, Nov. 1941 (4)
—–, Vol. 25, no.6, Feb. 1947 (4)
—–, Vol. 26, no. 6, Feb. 1948 (8 + 1c)
—–, Vol. 27, no.7, March 1949 (8 + 1c)
—–, Vol. 28, no. 3, Nov. 1949 (8 + 1c)
—–, Vol. 29, no. 5, Feb.-March 1951 (8, called “1950 [1951]” online)
—–, Vol. 31, no. 4, March 1953 (insert, not online)
—–, (“Tri-Weakly Cardinal”), Vol. 32, no. 5, March 1954 (8)
—–, Summer 1958 (4, tabloid)

Other Octopus Parodies, 1920-1959:

La Vie Parisienne (“La Vie Wisconsienne”), Vol. 1, no. 5, May 1920 (cover only)
Police Gazette, Vol. 11, no. 1, September 25, 1929 (16 + 1c)
American Weekly (“American Weakly”), Vol. 17, no. 4, Dec. 1935 (10) (called “Vol. 15 [17]” online)
Chicago Daily Tribune, Vol. 20. no. 4, December 1938 (4)
Life (article: “Life Discloses the Happy Weekend of a Wisconsin Coed”), Vol. 21, no. 3, Nov. 1939 (1)
Time (“Timf”), Vol. 27, no. 5, Jan. 18, 1949 (44 + 4c)
The New Yorker (“The Old Yorker”), Vol. 28, no. 8, April 1950 (40 + 4c)
Flair (“Flare”), Vol. 29, no. 7, May 1951 (36 + 4c)
The Wisconsin Idea (“The Wisconsin Idear”), Vol. 31, no. 4, March 1953 (10)
Life (“Liff”), Vol. 31, no. 5, April 1953 (40 + 4c)
Mademoiselle (“Madmoiselle … and the Arts”), Vol. 33, no. 2, Dec. 1954, (28 + 4c)
Time (“Tum”), Vol. 34, no. 4, Feb. 1956 (28 + 4c)
Playboy (“Blayboy”), May 1959 (not online)

Sources:

E. David Cronon and John W. Jenkins. The University of Wisconsin: A History: Volume III: Politics, Depression, and War, 1925-1945 (U. of Wisconsin Press, 1994), pp 626-629.

Matt Rogge. “Through the Eyes of the Octopus,” uwalumni.com, posted July 12, 2017.

— VCR

Columbia Jester Parodies, 1913-1989

Posted on June 2, 2017 by Cullum Rogers

Jester's Life and Reader's Digest parodies

Pages grew to 10.5″x14″ for “Liff” (1948), shrank to 5.5″x7.5″ for the “Dijest” (1949).

Jester of Columbia, to use its formal title, wasn’t the first publication at Columbia University to include humor, but it was the first to exclude everything else. It debuted on April Fool’s Day, 1901, twenty-four years after the birth of its sternest critic, the Columbia Daily Spectator (whose archive supplied much of what follows). Years later, the Spectator described Jester’s early issues as “small drab booklets of advertisements, with a sprinkling of reminiscent jokes,” but the mag quickly grew into one of the leading campus comics.

1919’s 4-page “Police Gazette.”

Early Jester staffers included Rockwell Kent (class of 1904), Bennett Cerf (’20), Corey Ford (’23) and Lynd Ward (’26), but the most famous in his day was 1916-17 editor Morrie Ryskind, then a fire-breathing socialist, later a Broadway and Hollywood writer (Of Thee I Sing, Animal Crackers), and eventually a co-founder of National Review. Ryskind was ejected from staff and school in March 1917 for his blistering attacks on the Big Names urging the U.S. to enter World War I – one of the Biggest being Columbia President Nicholas Murray Butler. Later alumni include writers Herman Wouk (’34), Thomas Merton (’38) and Allen Ginsberg (’48); painter Ad Reinhardt (’36); playwright Tony Kushner (’78); and cartoonists Charles Saxon (’40) and Ed Koren (’57).

Jester flourished from the 1920s through the ’50s, though wartime paper rationing forced an awkward merger with the literary Columbia Review in 1943-45. The early-’40s Jester “reached an all-time high (or low) in the use of licentious wit,” said the Spectator, but more often the goal was New Yorker-ish sophistication. The magazine was named best in the country by the Association of College Comics in 1936-37 and ’37-38, the last years that award was given. It faltered in the 1960s, however, as off-campus ads and on-campus interest dried up. The first issue of 1966-67 didn’t appear until December. That spring, members of the school’s Afro-American Society confiscated 1,500 copies of the May issue and publicly burned 30 to protest a piece that, among other things, “satirically” called a new, all-black fraternity “a sort of haven for the noble savage” and predicted its members would soon turn the place back into a slum.

By 1969 Jester was struggling to come out once a year; by 1973 issues were little more than pamphlets. The college-humor revival sparked by National Lampoon’s Animal House provided a temporary reprieve — students named Jester their favorite campus publication in a 1979 poll — but issues were few and often unfunny: An uncredited 1986 fantasy about a male student slaughtering a “disgustingly obese girl” in one of his classes led to protests and a pledge to start running bylines. After a 1989 parody called “The Columbia Daily Defecator,” featuring a full-page photo of a toilet in a bathtub, the magazine disappeared for 12 years.

An ambitious revival in April 2001 fizzled, but another in 2006 seems to have stuck: More than 20 issues from the past decade are archived at columbiajester.com, including two from spring 2017. Like most surviving campus comics, Jester appears online and in print, carries few ads, and makes heavy use of lists, fake news items and other fast-acting humor formats. Unlike most, it has competition: The Federalist, which started as a conservative alternative to the Spectator in 1986 and by 2003 had evolved into an Onion-like monthly.

The earliest Jester parody to catch the Spectator’s eye appeared in April 1913, though the paper seemed unsure what it was looking at; the anonymous reviewer called the issue “a sort of Ladies’ Home Journal Number” containing “a much larger number of articles apropos of the title” that usual. Unfortunately, he saw little humor in “all the features written in Ladies’-Home-Journal-esque style…. The really entertaining articles are those having no connection” with the main theme.

Jester’s 1956 “SR,” as shown in College Parodies (1961).

Seven years passed before the paper reviewed another Jester parody, this time approvingly: “[T]he editors of Jester have more than succeeded in producing a campus edition of Ben Franklin’s popular sheet, the Satevepost,” wrote “N.McK.” and “S.W.R.” on January 16, 1920. “From the Leyendeckerian cover … to the inevitable Arrow Collar (adv.) boy on the back, George Joker Macy and gang have produced a really clever burlesque of George Horace Lorimer’s great American failing, that, in our opinion, goes the Harvard Lampoon’s recent Cosmopolitan venture two or three better.” The parody proved so popular it was reprinted twice, though the covers of the third printing were lost on a freight train “somewhere between Troy and New York.”

“Playbile” (1963).

The 1922 “Columbia Alumni Dues” was unusual for being commissioned by the Alumni News to fill its October issue, rather like the Harvard Lampoon’s later parodies of (and in) Mademoiselle. Jester cut a similar deal with the Columbia Review in 1941, replacing all the November issue’s usual contents except two main feature articles. One contributor, a shadowy figure called “Jefferson Berryman,” may have been poet John Berryman, a former Review editor. Other notable stunts included the launch in 1934 of a fake rival to Jester called “The Columbia Calliope,” which lasted one issue, and a 1963 parody of Playbill, the Broadway magazine. Like its model, “Playbile” doubled as a theater program and was only sold at performances of the 69th annual Columbia Varsity Show, a musical travesty of Hamlet called Elsinore! The Spectator said “Playbile” mocked “every aspect of the magazine — the advertisements, the columns, the features, and ‘Who’s He in the Cast.’ … [I]t’s worth going to the Varsity Show just to pick up a copy.

Two pages from Liff and Laddies' Home Journal

Pages from “Liff” (1948) and “Laddies’ Home Journal” (1952).

Jester hit its parodic peak in the decade or so after World War II. The winning streak began with a 1945 takedown of Fortune featuring a seven-color cover, a “Fortune Survey” of Caramba (i.e., Columbia) College and a “behind-the-scenes look at the new Klopfinger Dam on the Dugong River in North Twang.” It ended in 1956 with a “trim and merciless” evisceration of Saturday Review, then as ever a bastion of well-meaning middlebrow liberalism. “Sanitary Review’s” targets included former Jester editor Cerf — a.k.a. “Scurf” — and SR editor Norman Cousins, whose editorials were skewered for their “pious partisanship and righteous naivete.”

Page 1-5 of “Reader’s Dijest,” plus a few others.

The most successful parodies — and two of the best ever produced by any college mag — were the back-to-back takeoffs of Life and Reader’s Digest in 1948 and ’49. Both owed much to 1948-49 editor Bernard Shir-Cliff, who later packaged the first Mad paperbacks at Ballantine Books and contributed to the Sports Illustrated parody in Harvey Kurtzman’s Trump. Jester’s 48-page, oversize “Liff” sold out in May 1948 and was reprinted in August, eventually selling 20,000 copies nationwide. Pocket-size “Reader’s Dijest” did even better, with 30,000 copies distributed on 120 campuses. Both featured art by Burton Silverman, whose later works included covers for Time.

Real and fake Journal covers from 1951 and '52

The Journal lent Jester some used engraving plates, including the Oct. 1951 cover.

Almost as good was “Laddies’ Home Journal,” originally scheduled for December 1951 but delayed twice, the second time when the Federal Trade Commission ruled the cigarette ad on the already printed back cover was deceptive. (The ad claimed Camels had never caused a single case of throat irritation, which even then was a bit much.) Camel agreed to pay for a replacement cover, and the parody finally appeared in May 1952. The delay plus a 50-cent cover price apparently cut into sales: Jester ran ads for the next decade urging readers to buy leftover copies.

Real and parody versions of Columbia College Today

The real Columbia College Today (dated Spring 1968, but issued that fall) and Jester’s version.

Later parodies earned mixed reviews, including the last really ambitious effort: a point-by-point rejoinder to Columbia College Today’s 96-page report on the student occupation of the university in the spring of 1968. “Six Weeks that Shook Morningside” occupied an entire issue of CCT in fall 1968 and earned its author, CCT editor George Keller, the Atlantic Monthly’s Education Writer of the Year award. In May 1969, Jester responded with its only issue of the school year: “Columbia College Toady: 96 Pages that Distorted Six Weeks that Shook Morningside.” Spectator reviewer David Rosen praised Jester editor Tom Kramer and his staff for perfectly capturing “the pompous, overblown style” of the original, but found much of the humor “tired and hackneyed.” Still, he noted, the writers “managed to avoid taking sides. In this version of the Great Disruption, everybody, from [President Grayson] Kirk to [student radical Mark] Rudd, comes out looking like an idiot.” Years later, Kramer admitted that was intentional; the parody “was more a reaction to the reaction to [Keller’s] issue that to the issue itself,” he told CCT in 2008. “None of us was terribly political.”

Few old Jesters are posted online or listed on eBay; this list represents the best I could do without going to Morningside Heights and poring through the archives. (Any volunteers?) The Spectator wasn’t above ignoring Jester’s jokes at its expense, so some parodies of the paper may be missing; also missing are any parodies done by The Fed or by the Spectator itself. The word “in” before a date means the parody didn’t fill the entire issue but was one feature among many, like the four-page “Jester’s Own Police Gazette” of December 1919. One issue from spring 1937 may have started out as a parody of Judge but ended up a grab-bag of miscellaneous items, including a brief jab at The New Yorker, so it’s flagged COVER ONLY. As always, additions and corrections would be welcome.

A real 1937 Judge cover and Jester's copy

Though it aped Judge’s April 1937 cover, this Jester didn’t follow through inside.

Columbia Jester Parodies, 1913-1989:

Ladies’ Home Journal, in April 1913
Columbia Daily Spectator, 1919
Police Gazette (“Jester’s Own Police Gazette”), in Dec. 1919
Saturday Evening Post (“Saturday Evening Jester”), Jan. 1920
Columbia Alumni News (“Columbia Alumni Dues”), Oct. 1922 [published in the News]
La Vie Parisienne, in Feb. 1924
Typical tabloid newspaper (“Tabloid Number”), spring 1927
Columbia Daily Spectator (“…Daily Jester”), in Jan. 1933
“The Columbia Calliope: Jester’s Own Rival Publication,” Apr. 1934
Columbia Review, April 1935
Judge (“Fudge”), May(?) 1937 — COVER ONLY [but inside is a 3-page New Yorker spoof]
Police Gazette (“Police Gazette Jester”), in Nov. 1939
Columbia Daily Spectator, Nov. 1940
Columbia Review, Nov. 1941 [published in the Review]
Fortune, May 1945
Life (“Liff”), May 14, 1948; reprinted Aug. 15, 1948
Columbia Daily Spectator, Feb. 17, 1949
Reader’s Digest (“Reader’s Dijest”), [May] 1949
Ladies’ Home Journal (“Laddies’ Home Journal”), [May] 1952
Saturday Review (“Sanitary Review”), May 1956
Ivy, March 1958
Playbill (“Playbile”), May 1963
Columbia College Today (“Columbia College Toady”), April 1964
Fact, in November 1964 [“a short satire” of Ralph Ginzberg’s mag]
Columbia College Today: “Six Weeks that Shook Morningside” (“Columbia College Toady: 96 Pages that Distorted Six Weeks that Shook Morningside”), May 1969
Columbia Daily Spectator (“…Defecator”), February 22, 1989 —VCR

The Most Parodied Magazine?

Posted on June 26, 2016 by Cullum Rogers

Parodies of Life, The New Yorker, Playboy and Time.

College parodies from Missouri (1937), Yale (1961), Arizona (1955) and Penn State (1928)

(WARNING: The following observations are based on the author’s own haphazard — though extensive — collecting and are informed speculation, not gospel. It is even possible his list of Most Parodied Magazines is imperfect and should include Confidential, Liberty, Mad, National Geographic, Police Gazette, Popular Mechanics, Rolling Stone or Vogue. Further research is called for, as they say in grant proposals.)

What is the most parodied magazine of all time? Playboy thinks it is, but magazine parodies were popular decades before Playboy. The ’20s saw an explosion of “Burlesque Numbers” on campus and in Life and Judge. College mags put out “annual” parody issues — sometimes decades apart — until they fell on hard times in the ’60s everywhere but Cambridge. Newsstand parodies spiked in the early ’30s and boomed in the ’70s and ’80s in the wake of National Lampoon.

New Yorker parodies from Duke (1941), Ohio State (1947), Punch (1954) and Harvard (1976).

Titles from The Harvard Law Review to Strictly Elvis have been spoofed multiple times, but only a few can draw parodists year after year the way a flame draws moths. My own list contains an even dozen, only four of whom are contenders for the Top Spot. In order of appearance (or reappearance after major surgery), the eight runners-up are:

Ladies’ Home Journal (1883)
The Saturday Evening Post (revamped 1897)
Reader’s Digest (1922)
Esquire (1933)
TV Guide (1953)
Sports Illustrated (1954)
Cosmopolitan (revamped 1964)
People (1974)

The Journal was the first magazine with one million subscribers; the Post the first with twice that. Their oversize pages were thick with four-color ads and the best illustrations money could buy, which likely made some would-be parodists despair of getting a likeness. Similarly with Esquire, though its risqué content in the ’30s and ’40s led many collegians to plunge ahead regardless. Spoofing the Digest or TV Guide in normal-sized magazines posed an unwelcome choice: Print the parody separately (expensive), or run it sideways, two-up (awkward). SI, Cosmo and People are among the top targets of the past forty years, but they missed all or part of college-parody era.

Playboy parodies from Texas (1956), U. Mass (1964), West Point (1965), and Berkeley (1966).

So who are the top targets? Chronologically, the Four Most Parodied Magazines Ever are:

Time (1923)
The New Yorker (1925)
Life (1936)
Playboy (1953)

The top twelve share three qualities that appeal to parodists:

Familiarity: It’s no fun imitating something nobody recognizes. All these magazines except The New Yorker and Esquire achieved multi-million circulations, and all except Life and People ran at least sixty years. (People will reach that milestone in 2034; Life’s logo still turns up on newsstand specials.) All are, or were, Top Dogs in their respective categories: There are ten parodies of Time for every one of Newsweek, and the ratio is similar for Playboy over Penthouse and Life over Look.

Personality: Parody thrives on distinctive voices and viewpoints: the tortured syntax and “jeering rancor” of early Timestyle, the folksy certainty and small-town conservatism of Reader’s Digest. A strong personality also keeps a magazine from vanishing up its own genre. There are many parodies of movie, scandal and pulp-fiction mags, for instance, but few target one particular title. (Science-fiction parodies, on the other hand, tend to be very specific.)

Adaptability: A “magazine” was originally a storehouse, and the most parodied can accomodate a huge variety of goods in many sizes. Ten of our twelve could plausibly run a story on any subject, though some would skew it toward a particular demographic; the other two cover television and sports, which barely restricts them. Parodists also favor magazines that run many pieces of varying lengths and styles rather than a few long ones; they’re more likely to tackle the New York Times Book Review than the New York Review of Books. The New Yorker is a partial exception here, but its air of detached, worldly amusement was a model for four decades of college humorists, and the urge to try on Eustace Tilley’s monocle often proved irresistible. It still does, if this summer’s “Nuë Jorker” is any indication.

Despite that, The New Yorker isn’t THE most parodied magazine. Neither is the other third-place contender, Life, though the first full-length parody appeared within months of its debut (the Missouri Showme’s “Strife,” February 1937). Playboy is comfortably ahead of both, but hasn’t inspired a notable parody in the U.S. since “Playbore” and “Playboy: The Parody” fought it out on newsstands in 1983-84. Which leaves Time.

Mock Times from, top row: Annapolis (1928), Harvard's Advocate (1932) and Lampoon (1941), Dartmouth (1948), Ohio State (1948); bottom row: Alabama (1952), Davidson (1953), Punch (1960), National Lampoon (1984), Emory (1998).

Mock Times from, top row: Annapolis (1928), Harvard’s Advocate (1932) and Lampoon (1941), Dartmouth (1948) and Ohio State (1948); bottom row: Alabama (1952), Davidson (1953),
Punch (1960), National Lampoon (1984) and Emory (1998).

The Penn State Froth’s “Froth Time” of January 1928 is the earliest Time parody I’m aware of. The Navy Log and Yale Record piled on the same year, and in the late ’40s and ’50s parodies of Time popped up on one campus or another almost every month. The Harvard Lampoon issued four between 1941 and 1989. At the other extreme, in 1953 Davidson College’s Scripts ‘n Pranks slimed Time in its only full-length parody ever.

Newsstand mags that have mocked Time include Vanity Fair (in 1933), Ballyhoo, Punch, Esquire and National Lampoon. The New Yorker’s 1936 “Time, Fortune, Life, Luce,” written by Wolcott Gibbs in maliciously heightened Timestyle, is thought to be the most reprinted magazine parody ever. It’s certainly the most quoted: “Backward ran sentences until reeled the mind” supplied the title for a Gibbs anthology only a few years ago. Just recently, Tom Connor and Jim Downey (“re-Wired,” “Is Martha Stuart Living?”) released a 64-page one-shot with “President-Elect” Donald Trump inside the famous red border.

In February 1952, the University of Alabama Rammer Jammer celebrated the school’s centennial with its “first 100% parody issue,” called, appropriately, “Tide.” (One contributor was a junior named Gay Talese.) “We had several national magazines in mind before we struck our colors to Time,” editor Leo Willette wrote. “Though a good portion of our readers had heard of The New Yorker, only about ten percent ever read it with anything approaching regularity…. Comparable shortcoming manifested themselves with Saturday Evening Post, Ladies Home Journal, True, Argosy and most of the spectrum of reading fare. In Time, we assume, the student will find a familiar friend. Then, too, Time (1) has a style not difficult to interpret and copy; [and] (2) gives outlet for a potpourri of short, easily digested chunks of gripes and gags….”

What more could a parodist want — except, maybe, a centerfold? — VCR

MagazineParody.com

Celebrating 225 Years of Newspaper and Magazine Parodies

Tag Archives: Life

Wisconsin Octopus Parodies, 1920-1959

Columbia Jester Parodies, 1913-1989

The Most Parodied Magazine?