Parodies of Mad, 1954-2019

Posted on December 12, 2019 by Cullum Rogers

Top: Crazy (1959), National Lampoon (1971), Bijou Funnies (1973), Hans Gamber (1986); bottom: West Point Pointer (1983), Simpsons Comics (2013), Syracuse Syracusan (1957), Esquire (1964)

Some folks can’t handle success. Last year, Mad (b. 1952) passed Judge (1881-1947) to become the longest-lived U.S. humor magazine, newsstand division. This summer, it announced its October 2019 issue — number 9 of the current series — would be the last to run all-new material. Number 10 has since emerged looking just as new, so the obits need updating, but number 9 is still a keeper for its clever recreation of Mad’s mid-’60s heyday.

Cover and 2 pages of Mad Tarantino issue

Tom Richmond channels Jack Davis (left) and Mort Drucker (right) in Mad # 9 (Oct. 2019).

Leo-as-Rick by Tom-as-Jack; cover of the DVD bonus.

The “Special Taratino Time Warp Issue” — actually, the first twelve pages plus covers — began as a prop in Quentin T.’s latest film, Once Upon a Time … in Hollywood!, set in 1969. Leonardo DiCaprio plays Rick Dalton, a fading TV star whose one hit was an early-’60’s oater called Bounty Law. Tarantino commissioned Mad’s Tom Richmond to forge Jack Davis-style covers of Leo-as-Rick for Mad and TV Guide. The job grew to include a five-page Bounty Law spoof, “Lousy Law,” written by Andrew Secundo and drawn by Richmond in a fine pastiche of Mort Drucker’s early duoshade work. (They also did a second, digest-size parody for the film’s high-priced deluxe home edition.) “I was totally blown away by how much screen time [the art got] and how big it was displayed,” Richmond told the Washington Post’s Michael Cavna.

“Lousy Law” is the heart of the “Time Warp,” which also recycles Harvey Kurtzman’s nymphs-and-satyrs nameplate, an early Al Jaffee Fold-In, and real and fake ads. Peter Kuper apes Antonio Prohias’s “Spy vs. Spy” look, and Jon Adams approximates Dave Berg in a “Lighter Side” that links then to now and ushers in the rest of the issue. It’s a good-looking piece of self-kidding nostalgia and a convenient excuse to run this semi-comprehensive list of parodies of Mad. (For parodies in Mad, see here.)

Not present: Cover-only parodies like these from Mod (1981), NatLamp (Aug. 1971), Wax Paper (Oct. 1978), Esquire and Texas Monthly (both June 1992), Weird Fiction Review #3 (2012), and Der Spiegel (July 20, 2019) are discussed nowhere in the text.

The list doesn’t include the dozens of wannabes examined in two excellent books: John Benson’s The Sincerest Form of Parody (2012) and Craig Yoe and Ger Apeldoorn’s Behaving Madly (2017). Nor does it note every publication that morphed a cover subject into Alfred or faked a Fold-In. The following vary in length and quality, but all have some heft: Most run three-plus pages and parody several articles; the handful that don’t have a mock cover are so noted.

J.S. Martin in “MADvocate” (1980)

The cover, “Spy vs. Spy,” Fold-In, Don Martin and “Lighter Side” are the most copied features, by my count. Only the bravest parodists attempt Drucker-style movie satires: The most successful before “Lousy Law” are Ernie Colon’s “Citizen Gaines” in National Lampoon and Jeff S. Martin’s “Seventh Schlmiel” in the Harvard Lampoon’s “MADvocate,” which is by far the best student spoof. Also the briefest.

Parodists have viewed Mad with feeling ranging from adoration to contempt, but their laughter is mostly affectionate. I’ve sorted them into four groups based on attitude and affiliation: the Usual Gang itself, rivals and critics, college humorists, and miscellanous fans.

Parodies of Mad, 1954-2019, . . .

. . . by Mad Itself:

“Julius Caesar,” Mad #17, Nov. 1954, 7 pp., no cover.
“How to Put Out an Imitation of Mad,” Mad #41, Sept. 1958, 2 pp., no cover.
“Some Mad Articles You Never Got to See,” Mad #120, July 1968, 8 pp., no cover.
“Madde,” bonus in Mad Super Special #19, Fall 1976, 24 pp.
“The Book of Mad,” Mad #243, Dec. 1983, 5 pp.
“Mad: Tarantino Time Warp Edition,” Mad #9 (new series), Oct. 2019, 12 pp + 4c.
“Mad: No. 98, Oct. ’65,” bonus in Once Upon a Time . . . In Hollywood! 4K Ultra HD Collector’s Edition, Dec. 2019, 24 pp.

Mad could kid its own formulas but had no desire to share them. In the comic, Kurtzman and Wallace Wood namecheck eleven rivals, including EC stablemate Panic, then break the fourth wall to “point out the various routines” in “a typical-type lampoon” of the 1953 film Julius Caesar. The assumption that Mad pioneered those routines hovers unspoken. By contrast, “How to . . .” openly and sourly attacks Mad-the-mag’s copycats, some of whom sassed back. It’s less a parody than a humor-mag parts catalogue, but it reveals the professional pride behind the what-me-worry facade.

Clockwise from left: “How to Put out an Imitation of Mad” (1958) and “Julius Caesar” (1954), George Woodbridge in “Madde”(1976), a Berg’s-Eye View “You Never Got to See” (1968)

Later self-parodies are less meta. “Some Mad Articles You Never Got to See,” by Frank Jacobs, presents a dozen that supposedly “ended up dull” or otherwise misfired. Most are bland except “The Lighter Side of Death,” a cringe-worthy takeoff of Dave Berg drawn by Berg himself. In “Madde,” the Gang travel back to the Revolutionary Era for some Bicentennial satire. Lou Silverstone does the same for Biblical times in “The Book of Mad,” cramming a Noah’s Ark cover and seven story ideas into five pages.

. . . by Rivals & Critics:

“How To Put Out An Imitation of ‘Angry’,” Thimk #4, Dec. 1958, 1 p., no cover.
“How To Put Out An Imitation of Frantic,” Frantic #2, Dec. 1958, 2 pp., no cover.
“Bad,” Crazy, Charlton Publications, March 1959, 6 pp.
“Special Sophistication Issue: Bad,” Esquire, Aug. 1964, 5 pp.
“Mad,” National Lampoon, Oct. 1971, 15 pp.
“You Know You’re Grown Up When . . .” (article), National Lampoon, Sept. 1977, 2 pp., no cover.
“Mud,” in Trash, Trash Publishing Inc., March 1978, 10 pp.
“Müd,” ed. by Hans Gamber, Maya Verlag, Munich, Germany, 1986, 36 pp.
“Mad” [with “a” inverted], Barf #1, Revolutionary Comics, April 1990, 2 pp + 2c.

Mocking Mad merch in Crazy’s “Bad” (1959) and Trash’s “Mud” (1978)

“How To Put Out an Imitation of Mad” didn’t go unanswered. Loco ran “How to Be A Copy-Cat” in October 1958; the next month Frenzy reprinted bits from Judge, Ballyhoo and the old Life in “How to Take All The Credit For Originating a Humor Magazine.” Thimk and Frantic piled on in December with parodies of the original story. The biggest pushback was “Bad,” a six-page look at “the great humor magazine that invented satire” (sarc.) in This Magazine Is Crazy, by future Mad and television writer Gary Belkin and artist Tony Couch, Jr. It mocks several long-gone features including Bob and Ray’s skits and the t-shirt ad. Trash delivered the most recent assault in its March 1978 debut; “Mud” looks a bit like Mad, but so do the 42 derivative pages around it. Though uncredited, it’s likely the work of Trash editor Tony Tallarico.

Two pages from Esquire’s “Bad” (1964); cover and page of Barf’s “Mad” (1990)

“For some time I too have been intrigued by the idea of doing a takeoff of Mad . . . and I wondered if it could be done,” Mad’s Larry Siegel wrote Esquire after its “Bad” appeared. “Well, I just saw yours, and believe me it hasn’t been done yet.” He went on to call the parody “cruel, vicious” and “more heavy-handed than Mad at its worst,” and ended with: “The guy who did your piece should have studied his subject more. You don’t do a takeoff of Mad simply by filling your article with ‘mainly,’ ‘gang,’ and ‘ecch.'” Siegel was too kind: Mad à la Esquire is an unrecognizable stew of horror comic, gags-and-gals humor and bathroom graffiti. Illustrator Blake Hampton may have glanced at the source material but didn’t bother imitating specific artists.

By contrast, National Lampoon’s John Boni, Sean Kelly and Henry Beard approached the job with the intensity of ex-lovers. Though uneven, their “Mad” (see also here) comes closest to meeting Siegel’s standards — unlike the two-page filler “You Know You’re a Grown-Up When . . .” six years later. Munich’s Hans Gamber translated these and other NatLamp pieces in his spoof of Mad’s German edition, “Müd” (which, with umlaut, means “Tired”). I believe it’s the only Mad parody published outside the U.S. San Diego comic Barf offered humor in a punk-grunge-anarchist vein from 1990 to slightly later in 1990 (three issues); it gave fuddy-duddy Mad the finger in a few snide pages and is mainly notable for beginning on the back cover.

. . . by College Humor Magazines:

“Dam,” Syracuse Syracusan, March 1957, 32 pp.
“????,” Michigan Gargoyle, 1957-58, ?? pp.
“Mud,” U. of Massachusetts Yahoo, January 1965, 32 pp. + 4 c.
“MADvocate,” Harvard Lampoon, April 1980, 5 pp., no cover.
“Grad,” West Point Pointer, May 1983, 23 (of 44) pp. + 4 c.

Pages from Syracuse (1957), cover from U. Mass (1965), back cover from West Point (1983)

Mad was required reading for college humorists in the 1950s and ’60s, but most knew they lacked the chops to make a reasonable facsimile. The Syracusan tried anyway in March 1957, when black-and-white Mad was just two years old. “Dam” contains nearly 30 pages of original illustrated stories; many are funny, but they’d never pass for the real thing. Yahoo’s “Mud” and the Pointer’s “Grad” are cruder, though “Mud” found a clever way around Mad’s plug-free purity in “If Comic Strip Characters Patronized Our Advertisers.”

Two-fifths of the Harvard Lampoon’s 1980 Mad-Advocate merger

The Lampoon’s mashup of Mad with the highbrow Harvard Advocate starts with a strong premise and dispatches it in five brisk pages: Contents, Movie, “Don Martin,” Fold-In. Future Simpsons showrunners Mike Reiss and Al Jean, both ’91, contributed. Gargoyle’s parody is the big unknown: The 1958 Michigan yearbook says “this year’s Garg staff . . . satirized Mad,” but the Michigan Daily’s reviews don’t mention it. Anybody got a copy?

. . . by Fans:

“73,” 73 magazine, Wayne Green Inc., April 1967, 3 pp. + 1 c.
Bijou Funnies #8, Kitchen Sink Press, 1973, 36 pp.
Screw #1013, Milky Way Productions, Inc., Aug. 1, 1988, ?? pp.
Jab #1, Cummings Design Group, Spring 1993, 24 pp. + 4 c.
“Bits and Pieces,” Hustler, Sept. 1995, 13 pp.
Chunklet #14, pub. by Henry H. Owings, 1998, 2 pp. + 2 c.
The Comics Journal, Fantagraphics, July 2000, 3 pp. + 2c.
We’re MAD … about Machine Vision, Cognex Corp., Dec. 31, 2002, 12 pp + 1c.
“D’oh,” in Simpsons Comics #203, Bongo Comics Group, June 3, 2013, 7 pp. + 1c.

Cover and Spies from 73 (1967); opening page from Bijou (1973)

Sometimes, kids who fall in love with Mad grow into adults with access to printing presses; the results can turn up anywhere from porn mags to earnings reports. In 1967, Wayne Pierce drew an Alfred E. Neuman cover and “Ham vs. Ham” for the amateur radio monthly, 73. (The title is short-wave for “Best Regards.”) R. Crumb, Bill Griffith and other heavyweights mocked each other’s creations in the eighth and final issue of Bijou Funnies in the spirit of Mad comics. Editor Jay Lynch wrote an EC-style anti-censorship editorial and parodied Gilbert Shelton’s Fabulous Furry Freak Brothers. The cover was drawn by fabulous though not furry Harvey Kurtzman, who started the whole thing.

Screw (1988)

Screw’s August 1, 1988, front shows owner Al Goldstein grinning gap-toothed beneath the headline “Alfred E. Neuman’s Sex Secrets” as his old pal Bill Gaines vomits in the background. (Don’t ask how Screw treated people Goldstein didn’t like.) Inside are a long interview with Gaines and X-rated spoofs of Berg, Martin and the spies. Those features also turn up in Hustler’s 1995 salute, along with “You Know Your Girlfriend’s a Slut When…” and similar delicacies. It’s one of the longest Mad parodies at thirteen pages and captures Mad’s look and rhythm, but the humor ranges from juvenile to hateful and too many panels are “improved” by ‘shopped-in nudes.

Chunklet was a music and comedy magazine out of Athens, Georgia, known for its putdowns of “overrated” acts (basically all of them) and unhurried schedule (twenty issues in fifteen years, the last in 2008). Issue #14, undated but copyright 1998, says “completely Mad” up front but delivers only a bleakly funny “Pomo Spy vs. Pomo Spy” by Ted Rall and an advertiser’s Fold-In. There are clues that a longer parody was planned and dropped: Chunklet.com calls #14 “The Mad Magazine Issue, a.k.a. The Cease & Desist Issue.” The cover of The Comics Journal #225 was painted by Kelly Freas, Mad’s cover artist from 1958 to 1962; TCJ also imitated Mad’s contents, letters pages and Fold-In to plug interviews with Jaffee, Jack Davis and Al Feldstein.

Chunklet’s cover and Ted Rall’s pomo Spies (1993); TCJ’s cover and Fold-In (2000)

Cognex Corp. of Massachusetts makes robotic gadgets that can see defective products on assembly lines. In 2002, founder Robert Shillman got so “MAD about the negative effect of the worldwide economic slowdown” he made it the theme of the company’s annual report. The usual one-pagers are present, all involving gags about machine-vision quality-control systems. Highlights are the uncredited Norman Mingo-style cover and the very idea of doing such a thing. Jab was a humor mag out of Birmingham, Alabama, in the early ’90s that doubled as a sampler for publisher Frank Cumming’s design firm; all four issues contain Mad-like illustrated satires, but only #1 makes the connection explicit.

Mad parodies by Jab, Cognex and Simpsons Comics

Covers from Jab (1993) and Cognex (2002); “Don Martin” by Cognex and Simpsons Comics (2013)

Simpsons Comics #203 may be the most loving tribute: The lead story is about Krusty the Clown’s attempts to profit off Bart’s hand-drawn comic book “Bad” (renamed “D’oh!” because the title was too close to goth monthly “Sad”). The flip-side samples “D’oh” itself, bending the usual Simpsons line just enough to hat-tip Drucker, Martin and Aragones. Bongo Comics shut down last October after Simpsons Comics #245, and Mad is tottering, so I’ll close with the final panel of “The Rise and Fall of D’oh.” —VCR

Bicentennial Burlesques, 1975-76 (and 2008)

Posted on July 12, 2019 by Cullum Rogers

Louis Glanzman’s portraits of Jefferson and Washington on Time‘s 1975-76 specials.

In addition to bringing tall ships and fireworks, the U.S. Bicentennial in 1976 provided a perfect excuse to swell the nation’s small stock of 18th-century magazines. Time‘s special issues were the most impressive, representing two years work by 26 researchers and writers. “Independence,” dated July 4, 1776, came out in May 1975 with a vulpine Thomas Jefferson on the cover; it was sent to 4.7 million subscribers and sold 1.3 million copies on the stands. “The New Nation” did nearly as well a year later. Dated Sept. 26, 1789, it led with the start of George Washington’s administration and the passage of the Bill of Rights. Names making news in other sections include Adam Smith, Voltaire and Captain Bligh of H.M.S. Bounty. Though too straight-faced and factual to qualify as self-parodies, the past Times can’t help resembling souvenirs from an elaborate masquerade party.

National Lampoon‘s Hamilton had no use for “radical nonfenfe.”

The 199th Birthday Book (1975), a National Lampoon newsstand special edited by Tony Hendra, is not as overwhelming as NL‘s high-school yearbook and Sunday newspaper parodies, but it takes the same care with details and leaves few patriotic icons ungored. Its bogus artifacts include an 1876 Electoral College humor magazine, “The Spittoon,” and three pages of Kiplinger-style investment tips from a hard-nosed Alexander Hamilton unlikely to inspire any musicals.

Mock-colonial scenes by Norman Mingo and George Woodbridge in Madde (1976),

“Madde,” a 24-page, comic-book-size “Centennial Year [sic] Collectors’ Item” in Mad Special #19 (Fall 1976) subjects the whole Revolutionary era to the Usual Gang’s usual treatment. (I’m still not sure Dave Berg was entirely in on the joke when he did “The Lighter Side of Valley Forge.”) The Onion, founded twelve years after the Big Whoop, did its bit in 2008 with a 225-year old, eight-page issue dated October 6, 1783, early in the nation’s first post-war era. “40,000 Pounds of Slave Have Been Lost at Sea,” one headline announces — a bit of deadpan brutality worthy of the 1794 “New Times.” —VCR

The 1783 Onion (2008), with Ben’s latest brainstorms.

Online: “The Washington Post,” 2019

Posted on March 15, 2019 by Cullum Rogers

Very early edition of the May 1 “Washington Post,” on stands January 16, 2019.

Parody Of: The Washington Post. Title: “The Washington Post”
Parody By: Jacques Servin, L.A. Kauffman, Onnesha Roychoudhuri.
Date: May 1, 2019 (distributed Jan. 16, 2019). Format: Eight-page broadsheet.
Contributors: L.A. Kauffman, Onnesha Roychoudhuri, Jacques Servin, etc.
Availability: Online as a PDF here at my-washingtonpost.com.

How did I miss this? Back in January, protesters marked the second anniversary of President Trump’s inauguration by handing out 25,000 copies of an eight-page fake Washington Post at the White House and D.C.’s Union Station. Dated May 1 of this year, the ersatz “Post” foresees The Donald being driven from office by a wave of women-led demonstrations to the sound of worldwide rejoicing. There are a handful of copies on eBay, but you can read and download the whole thing at this link.

The stunt was conceived last summer by Jacques Servin, half of the anti-corporate performance duo known as The Yes Men, as a way to rally support for Trump’s impeachment. Other organizers included longtime activist L.A. Kauffman and Brooklyn writer Onnesha Roychoudhuri, who helped shift the focus toward mass action with a 16-page insert called “Bye-Bye: A Guide to Bringing Him Down.” Masha Gessen of newyorker.com calls it “maybe the best primer now available on understanding protest.”

Parodies of the New York Times, New York Post and Boston Globe.

The Yes Men’s “Times” (2008) and “New York Post” (2009), the Globe’s 2016 mock front.

The Yes Men did something similar right after Barack Obama’s election in 2008, distributing 80,000 copies of a fourteen-page “New York Times” dated July 4, 2009, seven months in the future. It proclaimed “Iraq War Ends” and basked in the dawn of a New Progressive Era. (It’s online here, see also Steve Lambert’s link-filled post.) The “Times” was followed in September 2009 by a less sanguine “New York Post” that gave climate change 32 pages of classic tabloid scare treatment (“We’re Screwed: What You’re Not Being Told”). The mock WaPo isn’t quite as breathless, but it does assume the Current Predicament can be popped like a soap bubble and leave no mess behind.

This latest “Post” is the third recent parody set in a Trumpian near-future, after the Boston Globe‘s fake front page in April 2016 headlined “Deportations to Begin” (online here) and Hachette’s supposedly post-election “Trump Time” two months later. “Trump Time” authors Tom Connor and Jim Downey, best known for “Is Martha Stuart Living?,” state right off that their fake newsmag is “not intended to be anything but funny,” but that very shallowness makes it the scariest to reread. The whole joke in “Trump Time” is that “Donald K. [sic] Trump” in the White House would be the same rudderless dirigible as ever and laughably miscast: Imagine a President putting grifters in the Cabinet! Stoking ethnic tensions! Bashing “Loser Countries I Can Bomb the S#!t Out Of!!” Gotta be a joke, right? —VCR

Playboy Parodies 2: U.S. Newsstands, 1957-2018

Posted on December 3, 2018 by Cullum Rogers

Two competing Playboy parodies; three inside other mags; two from foreign parts.

(This is the second of a now three-part series on Playboy parodies. The first dealt with college parodies; the next will cover parodies circulated outside the U.S.)

Unlike their college brethren, commercial publishers in the 1950s and ’60s showed little interest in parodying Playboy. Theft was another matter: As long as Playboy’s sales kept climbing, rivals tried to duplicate its appeal. The last and most blatant imitation was Ronald Fenton and F. Lee Bailey’s Gallery, which debuted in November 1972, the same month Playboy sold a record 7.2 million copies. Gallery aped Playboy down to the length of the title (precisely seven letters) but succumbed to sleazery within a year or so.

Cover, ad and bachelor pad from “Plowboy.”.

The outlier was “Plowboy,” issued in 1957 by an obscure outfit in Manhattan called Bannister Publishing. “Plowboy” was the only non-college Playboy parody of the ’50s and the only one before the Harvard Lampoon’s 1966 “Pl*yb*y” with wide distribution. It acknowledges the real thing’s chief Selling Points in a dozen pages of photo-agency cheesecake, though there’s no full nudity and the “Plowmate” is a pencil drawing. The standout piece is a four-page tour of “Plowboy’s Platinum Hayloft” worthy of a funnier and subtler magazine.

A peek at “Playkid,” Mad #61 (March 1961).

Treating the Playboy fetish for brand names and status as literally childish, Larry Siegel and Bob Clarke put more satiric bite in the seven pages of Mad’s “Playkid” than there are in all of “Plowboy.” There’s nothing smutty or suggestive, Mad being famously prudish in that regard, but the very premise of “Playkid” is radioactive today and may have prompted second thoughts even in 1961: As far as I know it’s never been reprinted.

Pallid parodies from Sick (June 1965) and a Cracked special (1968).

Mad wannabes Cracked and Sick also tackled Playboy in the ’60s. “Boysplay,” a 16-page, comic book-size bonus in Biggest Greatest Cracked #4, is touted as a “Lampoon Edition of Playboy” on the cover but looks more like a fast-food giveaway and can’t articulate its own premise, if it has one. Sick’s “Playbore” is the skeleton of a comic idea fleshed out with two-line jokes and slapdash art. Both make excellent arguments for ignoring Cracked and Sick.

Hefner, Punch editor William Davis and Trog’s foldout; William Hewison aping Arnold Roth.

“Punch Goes Playboy,” with Norwegian actress-model Julie Ege on the cover, took up most of the English weekly’s November 10, 1971, issue and was reprinted in the U.S. the next fall with different ads and a 75-cent cover price. Trog’s four-page caricature of a nude Hugh Hefner is the visual highlight of both editions, which otherwise suffer from murky printing and lack of color. The writing, by contrast, is dead-on, nailing Playboy’s weakness for deep-sounding thumbsuckers (“Pollution and the Post-Vietnam Ghetto Interface,” by “Dr. Morton Krimhoretz, Ph.D., Jr.”) and workaholic Hefner’s pose as a carefree hedonist: “After a hectic day’s counting,” says one caption, “our November Playmate relaxes among his matchless collection of early American balance sheets.”

Pages from NatLamp’s “Playdead,” Jan. 1973.

Harvard’s 1966 “Pl*yb*y” was a giant step on the road to National Lampoon, which tried to duplicate the earlier book’s success by running a centerfold parody in its very first issue. (Alas, the result was an unsexy, out-of-focus mess.) NatLamp tackled Playboy twelve times between 1970 and 1988 — more than any other publication — but the pièce de résistance was “Playdead” in the January 1973 “Death” number. Visually, “Playdead” is impeccable, from the Possum logo in the cufflinks ad to Warren Sattler’s full-color fakes of cartoonists Dedini, ffolkes, Buck Brown and John Dempsey. What’s almost shocking, and all the funnier for it, is how natural Playboy’s vision of airbrushed perfection looks in a mortuary. Unafraid of either bad taste (the Interviewee was newly dead Bonanza actor Dan Blocker, silent throughout) or puns like “Playmort of the Month,” “Playdead” is one of NatLamp’s greatest parodies. The mag turned to Playboy more and more as its creative juices dried up, spoofing single features and grinding out formulaic editions for gun lovers and computers.

Semi-sorta spoofs from Howard the Duck and Wings flank covers that promise but don’t deliver from Laffboy and Bleep; below: “Laffboy” pages, Crazy and Girls & Corpses.

The only other publication to run multiple Playboy parodies was Playboy itself, with samples of four unlikely new editions I’ve written about here. Marvel’s Howard the Duck magazine (1981) promised a parody on its covers but followed through with eight vaguely Playboy-looking pages wedged between its usual black-and-white comics. Crazy (1974) and ultra-niche quarterly Girls & Corpses (2011) were even lazier, promising parodic goodies on their covers they failed to deliver inside. Ditto the two issues of Laffboy (1965) and one-shot Bleep (1974), oversized pulps with tired gags and bubble-captioned photo trying to pass as sophisticated satire. They’re mentioned here mainly as a warning. New-Age satire sheet Wings tried harder, devoting about a third of its March-April 1979 issue to “Playwings,” but most of the parody was typical Wings content poured into a barely modified layout; like “Playduck,” it failed to sweat the details.

Wayne Pierce’s ham-flavored tribute to Annie Fanny in “73” (1966).

73 Magazine was a technical monthly for ham radio buffs that ran from 1960 to 2003. Founder Wayne Green had soft spot for parody, and in April 1966 he ran a Playboy-like cover by reader Wayne Pierce, a high-school art teacher in Kansas City. Pierce also did four of the parody’s five inside pages, including a takeoff of “Little Annie Fanny” set in the world of ham radio obsessives. Pierce was no threat to Will Elder in the art department, but he’d obviously studied Harvey Kurtzman’s page layouts and storytelling rhythm; the fact that his hobby-specific jokes will sound like gibberish to most current readers is a surrealistic bonus.

Ironically, National Lampoon’s decline overlapped with the Great Parody Boom of the ’80s, whose harbingers were NL’s own “Dacron Republican-Democrat” in February 1978 and former NL editor Tony Hendra’s “Not The New York Times” that October. They were followed by scores of parodies of newspapers and magazines, including two of Playboy, one edited by Hendra, the other by his former collaborator Robert Vare.

Hendra and Vare had worked together on “NTNYT” and jointly edited the first “Off The Wall Street Journal,” which sold 350,000 copies in 1982 but showed only a tiny profit. After the two parted ways, Vare founded American Parody & Travesty Co. to produce a series of one-shot spoofs starting with “Playbore,” while Hendra became creative director on “Playboy: The Parody” for TSM Publishing, an offshoot of a marketing firm cofounded by former NatLamp publisher Gerald Taylor. Hendra recruited old associates David Kaestle, Danny Abelson and Rick Meyerowitz for “PTP,” which had led some sources to mislabel it an official National Lampoon publication. In fact, at least as many NL vets worked on “Playbore,” including Chris Miller, Jeff Greenfield and Ellis Weiner. (Bruce McCall somehow got into both.) George Plimpton, Roy Blount Jr., and soon-to-be Spy founders Kurt Andersen and Graydon Carter also had a hand in “Playbore,” while “PTP’s” stable included writer David Owen and Items From Our Catalog creator Alfred Gingold.

“Playbore” features, including a jab at Hef’s rivals Larry Flynt and Bob Guccione (center).

“Playbore” hit the stands in late September, two months before its rival, but in most respects “Playboy: The Parody” came out slightly ahead. It cost a dollar more, carried 29 pages of real ads to “Playbore’s” six, and better captured the look and tone of Playboy circa 1983, likely because it gained Hefner’s approval and used several of his photographers and models. Not surprisingly, it treated Hef and his empire relatively gently, while “Playbore” made running jokes of “Hugh M. Hepner’s” galloping senility, shrinking assets and eyebrow-raising decision to turn the business over to his daughter — a step the real Hefner had taken the year before. Its foldout showed “Crispie Hepner” lounging in a soapy bath as a certain pipe-smoking editor-publisher massaged her shoulders. “Playboy: The Parody” countered with a full-frontal fake of Princess Diana, which prompted a boycott by distributors in the U.K.

DIY pinups, Bruce McCall’s cars, JFK in ’63 and Annie as Grannie in “Playboy: The Parody.”

Sales of both parodies were good but not spectacular. Early on, Vare predicted “Playbore” might sell over a million copies; results were closer to 750,000. Taylor initially hoped “Playboy: The Parody” would do better than the Harvard Lampoon’s “Cosmopolitan,” which had sold a record 1.2 million copies in 1972, but TSM never announced final numbers; press runs for its later spoofs, including “Cosmoparody” (1984) and “Parody People” (1986), were around 750,000 copies each.

U.S. parodists mostly abandoned Playboy after ’83, as did many readers — circulation fell by a third during the 1980s — but Canada’s Thomas Hagey struck gold in 1984 with “The Best of Playboar,” a porcine entry in the then-hot subgenre of parodies starring animals. Hagey (pronounced “haig-y,” not “hoggy,” unfortunately) grew up on a pig farm in Kitchener, Ontario, and quit school after 10th grade. In 1977 he founded Playboar as a semi-serious annual for swine breeders, “about two-thirds information, like how to pick a good pig or what to do about nipple problems, and about one-third humor,” he told the Chicago Tribune. A switch to quarterly publication in 1980 didn’t work out, so he closed the mag and moved to Toronto. There he and editor Chris Lowry rendered Playboar’s six issues into a 56-page greatest-hits collection, which was issued simultaneously or thereabouts in Canada and the U.S. in 1984.

“Playboar’s” contents page and Littermate Taffy Lovely.

Disappointingly, “The Best of Playboar” bears little resemblance to Hefner’s vision — and not just because its cover girl/Littermate’s measurements are 24-26-22. In fact, the pictorial on fetching Taffy Lovely is one of the few features that follows Playboy’s format closely. Most other pages would look just at home in Self or Us or any other ’80s title with colorful text blocks and off-kilter photos. In contrast, Hagey and Lowry’s full-page ads for “Benson & Hedgehogs,” “Mudweiser” and other accoutrements of fine swine living are accurate to the last detail. Maybe, not having sought the Big Bunny’s approval, they decided to steer wide of trespassing on any trademarks.

And maybe more readers are into pigs than parody: When first published, “The Best of Playboar” sold some 300,000 copies. Reprints pushed total sales over a million, making “BoP” the best-selling Playboy parody ever. This past June, Hagey published an enlarged edition in Canada, “The Very Best of Playboar,” bringing swinish behavior into the Age of Weinstein and Trump.

The following census is divided into two categories: issue-length newsstand specials (all at least 40 pages long), and shorter features in other publications. Cover-only and single-article parodies are so marked; as are the dates on parodies of back issues. Each listing contains the work’s title (in quotes), publisher or publication, date and page count (in parentheses). Stand-alone parodies that don’t count covers as pages are marked “+ 4.”

Playboy Parodies II: On U.S. Newsstands, 1957-2018

A. Stand-alone Parodies:

“Plowboy.” Bannister Publications, Spring 1957 (48 + 4)
“Punch Goes Playboy.” [reprint of 1971 U.K. parody with new ads]. Punch, 1972 (44 + 4)
“Playbore.” American Travesty and Parody, Fall 1983 (98)
“Playboy: The Parody.” Taylor-Shain Media, Winter 1984 (102 + 4)
—–. partly reprinted in What a Pair, Taylor-Shain Media, 1985 (40 + 38 pages of TSM’s “Cosmoparody”)
“The Best of Playboar,” by Thomas Hagey. Day Dream Publishing, Santa Barbara, Cal., 1984 (56 + 4)
—–. Firefly Books (U.S.) Inc., Buffalo, N.Y., 1996 (56 + 4)
“The Very Best of Playboar: Special Hardcover Edition,” by Thomas Hagey. Playboar Publishing, 2018 (84) [available in the U.S. on Kindle]

Four parodies from Esquire and National Lampoon

Single-feature spoofs from Esquire (1965, 1969) and National Lampoon (both 1982)

B. Parodies in Magazines:

“Playkid,” Mad #61, March 1961 (7)
“Laffboy,” KMR Publications, Feb. 1965 (COVER ONLY)
“Laffboy,”KMR Publications, Apr. 1965 (COVER ONLY)
“Playbore,” Sick, June 1965 (12)
“I, Playboy, take thee, Reader’s Digest…,” Esquire, Aug. 1965 (1)
“73,” 73 Magazine, April 1966 (5 + 1)
“Boysplay,” Biggest, Greatest Cracked #4, 1968 (16)
“Liberated Front,” National Lampoon [article], April 1970 (8)
“Esquire Interview: Hugh M. Hefner” [article], Esquire, Dec. 1970 (3+)
“Gamma Hutch: The Playboy Fallout Shelter” (Dec. 1958) [article], National Lampoon, April 1972 (4)
“Playdead,” National Lampoon, Jan. 1973 (14)
“Bleep,” Bleep Publications, 1974 (COVER ONLY)
“Playboy” [obscured], Crazy #10, April 1975 (COVER ONLY)
“Playboy [in Cyrillic]: New Soviet Edition,” Playboy, Jan. 1977 (7)
“Playwings,” Wings, March/April 1979 (20? + 1)
“Playboy: New Chinese Edition,” Playboy, Sept. 1979 (7)
“Playduck,” Howard the Duck magazine #4, March 1980 (8 + 1)
“Parents of the Girls of the Eastwest Conference” [article], National Lampoon, Feb. 1982 (2)
“The Playboy Advisor” [article], National Lampoon, Feb. 1982 (1)
“Dear Playmates” [article], National Lampoon, June 1983 (1)
“Playboy” (November 1963), in “Playboy: The Parody,” Winter 1984 (15 + 1-page intro)
“Prayboy: Entertainment for Far-Righteous Men,” Playboy, Dec. 1984 (8)
“Slayboy,” National Lampoon, Dec. 1985 (8)
“Playbyte,” National Lampoon, Feb. 1988 (10)
“Feminist Party Jokes” [article], National Lampoon, March 1986 (1)
“Interview: Steven Spielberg” [article], National Lampoon, Aug. 1986 (3+)
“Playboy” (Jan. 1000 A.D.), Playboy, Jan. 2000 (4)
“Girls & Corpses,” issue # 5, Spring 2011 (COVER ONLY)

— VCR (updated 12/11/18)

National Lampoon Parodies, A to Z

Posted on January 28, 2018 by Cullum Rogers

Spoofs from the Sunday Newspaper Parody (“Pomade,” 1978) and National Lampoon (1971-78).

Here’s the alphabetical version of the chronology of National Lampoon magazine and newspaper parodies posted earlier (which see for the intro to this topic). Each entry begins with the name of the publication being parodied, in italics; followed by the fake title or article name, in parentheses; the NatLamp issue date; and the page count, in brackets. Parodies that appeared in special editions or (in one case) Print magazine are so noted, as are parodies of back issues: e.g., “Popular Workbench” for Aug. 1938.

I’ve moved Genre Parodies to Appendix A, where they’re listed by type of publication, and put two articles that spoof multiple titles in Appendix B, for lack of a better option. As before, I’m ignoring the “inventions” — fake magazines with no obvious real-world prototypes, like “Mondo Bizarro” in the very first issue (April 1970). — VCR

“American Bride” (with author Emily Praeger on cover) and “hy-Art” flank their inspirations.

Parodies in National Lampoon Magazine, A to Z:

A
After Dark (article: “Glitter Bums”), July 1975 [3]
Amazing Stories (“Amusing Stories” for Oct. 1926), Sept. 1977 [3]
ARTnews (“ARTynews”), Feb. 1976 [13]
The Atlantic (“The Hotlantic”), April 1983 [9]
Avant Garde (“Avant Gauche” ad: “Rockwall’s Erotic Engravings”), April 1970 [3]
Awake! (“Wise Up!”), Dec. 1974 [3 half-pages]

B
Better Homes and Gardens (“Better Homes and Closets”), May 1977 [11]
Boys’ Life (“Boys’ Real Life”), Oct. 1974 [10]

C
Cahiers du Cinema (“Cahiers du TV”), May 1976 [4]
The Canadian Magazine (“The Canadian Weakly,” June 8, 1969), June 1976 [6]
Cinefantastic (“Cinefantasterrifique”), Jan. 1982 [5]
Consumer Reports (“Consumed Reports”), nationallampoon.com, June 2004; in NL Magazine Rack, 2006 [4]
Cosmopolitan (“Cosmopolatin”), Jan. 1971 [15]

D
The Dial (“hy-Art: The Magazine of the Precious Broadcasting System”), Jan. 1983 [7]

E
Easyriders (“Equalriders”), March 1984 [11]
—– (“Easywriters”), Sept. 1985 [8]
Ebony (“Ivory”), April 1973 [7]
Esquire (article: “The Incredible Shrinking Magazine”), Nov. 1971 [3]
—– (“Exsquire”), Sept. 1975 [12]
—– (“Esquare”), Dec. 1981 [13]

F
Family Circle (“Famine Circle”), July 1974 [8]
Fortune (“Lucre”), Dec. 1975 [12]
—– (“Misfortune”), Feb. 1986 [13]
Forum (“Whorum”), Jan. 1985 [8]

G
Gourmet (“Goormay”), March 1982 [9]
GQ (“RQ: Regular Guy Quarterly”), Sept. 1978 [4]
Guns & Ammo (“Liquor & Ammo”), Aug. 1994 [10]

H
Harper’s Bazaar (“Bizarre”), June 1970 [5]
Harvard Lampoon (article: “The Ten Worst Movies of All Time”), July 1975 [1]
High Times (“Wasted Times”), Aug. 1977 [7]
The Hollywood Reporter (“The Hollywood Informer”), Oct. 1981 [5]
—– (“The Hollywood Retorter”), limited distribution, Dec. 2002; in NL Magazine Rack, 2006 [16]
Hot Rod (“Warm Rod”), April 1975 [7]
Hustler (“Gobbler”), Aug. 1976 [5]

I
Inc. (“stInc.”), 1998 [13]
Interview (“Interluude”), Dec. 1981 [11]

J
Jack and Jill (“Jack and Jill St. John”), Feb. 1982 [5]
JAMA: Journal of the American Medical Association (“COMA: Circular of the Organization of Medical Associations”), May 1975 [8]
Jet (“Tar”), Feb. 1977 [6, digest-size]

K
Kiplinger Washington Letter (“The Hamilton Philadelphia Letter,” Sept. 18, 1787) in NL’s 199th Birthday Book, 1975 [2]
—– (“The Kremlinger Moscow Letter”), Jan. 1977 [2]

L
Ladies’ Home Journal (“Old Ladies’ Home Journal”), Sept. 1974 [8]
Life [old humor mag] (“National Lampoon,” May 1906), May 1971 [7]
Life [pictue mag] (article: “Our Threatened Nazis”), June 1970 [2]
—– (“Life,” Sept. 28, 1943), Sept. 1973 [13]
—– (“Lite”), April 1979 [8]
Look (“Kennedy”), Feb. 1977 [11]

M
Mad (“Mad”), Oct. 1971 [15]
—– (article: “You Know You’re Grown Up When…”), Sept. 1977 [2]
Martha Stewart Entertaining (“Martha Stewart’s Entertaining the K-Mart Way”), Dec. 1989 [3]
Men’s Health (“Man’s Health”), online, June 2002; in NL Magazine Rack, 2006 [4]
Modern Bride (“American Bride”), Feb. 1975 [10]
Money Matters (“Young Money Matters”), June 1977 [4]
Moneysworth (two subscription ads for “Nickleknows”), Dec. 1975 [1+1]
Muscle & Fitness (“Muscle & Fatness”), March 1994 [9]
My Weekly Reader (“My Weekly Reader: The Children’s Tabloid”), Sept. 1971 [4]

N
National Enquirer (“National Inspirer”), March 1973 [8]
—– (“The Washington Enquirer”), Aug. 1980 [4]
—– (“National Sexloid”), Sept. 1982 [5]
—–(“Roman Eqvirer”), 1996 [4]
National Geographic (“National Geographic”), Sept. 1972 [3]
—– (“National Southpacific”), May 1983 [13]
National Lampoon (“National Lampoof”), Feb. 1974 [11]
—– (article: “National Lampoon’s 1974 New Year’s Resolutions”), Jan. 1975 [5]
—– (article: “False Facts”), Sept. 1982 [1]
—– (“National Tampoon”), March 1986 [6]
National Midnight (“Almost Midnight”), Sept. 1974 [4]
National Review (“National Socialist Review”), Feb. 1978 [8]
National Star (“National Sore”), May 1975 [4]
New Times (“Nu? Times” cover only), Jan. 1976 [1]
New York (“Lifestyles”), Nov. 1977 [42 + front cover]
—– (“Jo’burg”), Sept. 1983 [9]
New York Review of Books (“The New York Review of Us”), Jan. 1976 [8]
New York Times (“The New York World”), May 1971 [2 broadsheet]
—— (“The New York Times”), Oct. 1972 [front page on 2]
—— (“The New York Time”), Oct. 1977 [front page on 2]
New York Times Book Review (article: “Would You Like Something to Read?”), Aug. 1981 [2+]
New York Times Magazine (article: “Talking Out Loud: College Slang of the Eighties,” by “William Zircon”), Sept. 1981 [1+]
—– (article: “Talking Out Loud: The Customers Always Write,” by “William Zircon”), Aug. 1982 [1+]
—– (“The New York Times Magazine”), June 1984 [19]
The New Yorker (“The New Y*rker”), March 1975 [13]
—– (article: “Coming Into the River,” by “John McPhoo”), June 1980 [6]
—– (“Ron Hague’s Year of Rejected New Yorker Covers”), Dec. 1983 [4]
—– (“The Hymie Towner” cover only), June 1984 [1]
Newsweek (cover + article: “Townville, Iowa”), Nov. 1976 [2]

O
Oui (“Peut-etre” article: “Taffy”), Oct. 1973 [4]
Outside (“OutSSide” subscription ad), Feb. 1978 [3]

P-Q
Parade (“Pomade”) in NL’s Sunday Newspaper Parody, 1978 [16]
Penthouse (“Pethouse”), Jan. 1974 [9]
—– (article: “The Resister’s Revenge”), Sept. 1975 [6]
—– (“Repenthouse”), July 1977 [5]
People (“Objects”), Dec. 1976 [5, no cover]
—– (article: “Douglas Waterman Caps a Big Year”), May 1981 [4]
—– (“PLO” article: “Nor More Mr. Bad Guy For Yassir Arafat”), July 1984 [4]
Playboy (foldout: “Liberated Front” + “Party Jokes”), April 1970 [6]
—– (article: “Gamma Hutch: The Playboy Fallout Shelter,” Dec. 1959), April 1972 [4]
—– (“Playdead”), Jan. 1973 [14]
—– (ad: “What Sort of Man Reads Pl*yb*y?”), Oct. 1974 [1]
—– (article: “Parents of the Girls of the Eastwest Conference”), Feb. 1982 [2]
—– (article: “The Playboy Advisor”), Feb. 1982 [1]
—– (article: “Dear Playmates”), June 1983 [1]
—– (“Slayboy”), Dec. 1985 [8]
—– (article: “Feminist Party Jokes”), March 1986 [1]
—– (article: “Interview: Steven Spielberg”), Aug. 1986 [3+]
—– (“Playbyte”), Feb. 1988 [10]
—– (article: “Girls of the Community Colleges”), Oct. 1989 [4]
Popular Mechanics (“Popular Workbench,” Aug. 1938), July 1973 [14]
—– (“Tomorrow’s Future Homebody,” June 1946) in NL’s 199th Birthday Book, 1975 [3]
Popular Science (“Popular Evolution”), Jan. 1974 [11]
Print (“National Lampoon Graphics Parody Section”), in Print, July-Aug. 1974 [8 + cover]
Psychology Today (“Psychology Ptoday”), Aug. 1973 [15]

R
Reader’s Digest (article: “Martial Mirth”), Sept. 1973 [1]
—– (“Digester’s Reader” front & back covers only), June 1974 [1]
—– (article: “Rumpus Room Rib-Ticklers”), May 1978 [2]
—– (“Reader Digest”), Jan.-Feb. 1995 [10]
Road & Track (“Food & Track”), March 1982 [5]
Rolling Stone (“Rolling Stein” for Dec. 9, 1791), Feb. 1971 [3]
—– (“Rolling Tombstone”), Nov. 1982 [9]
—– (“Rollin’ Home”), Oct. 1985 [6]
—– (“Rolling Stone”), Feb. 1989 [7]
—– (“Perception/Reality” ad), Feb. 1990 [2]
—– (article: “Have War, Will Travel,” by “P.J. O’Drunke”), Aug. 1991 [2]

S
Scientific American (“Scienterrific American”), Jan. 1977 [10]
Screw (“Third Base” for April 1956), April 1972
—– (“Piddle: The Adult Publication for Children”), Feb. 1973 [8]
—– (“Seed”), Aug. 1974 [8]
Self (“Self-Destruct”), April 1982 [5]
Seventeen (“Savvyteen”), Aug. 1978 [8]
—– (“Deadteen”), July 1985 [7]
The Sporting News (“The Sportbiz News”), April 1976 [6]
—– (“The Sporting Muse”), Oct. 1988 [10]
Sports Illustrated (“Sports Illustrated”), Nov. 1973 [13]
—– (“Sports Hallucinated”), May 1986 [7]

T
Tiger Beat (“Poon Beat”), Dec. 1973 [10]
Time (article: “Partly Sane, Raspberries, and Time”), March 1975 [3]
—– (“Xmas Time”), Dec. 1977 [5]
—– (Special Section: “Let’s Get It Up, America”), Aug. 1981 [27]
—– (article: Henry Kissenger’s “Years of Arousal”), Sept. 1982 [6]
—– (“Time”), Jan. 1984 [35]
The Times of India (“The Times of Indira”), May 1976 [3]
Travel & Leisure (“Postage & Handling”), Feb. 1983 [7]
TV Guide (“The New York Review of TV”), March 1971 [5 pages on 3]
—– (“TV”), Apr. 1977 [16, digest-size]
—– (“Al-Jazeera TV Guide”), nationallampoon.com, Nov. 2004; in NL Magazine Rack, 2006 [4]

U
U.S. News & World Report (“Stupid News & World Report”), March 1974 [7]

V
Vanity Fair (“Vanity Fair”), June 1990 [10]
Variety (“Varietsky” front page), Sept. 1970 [1]
—– (“Movies”), Oct. 1978 [4]
The Village Voice (“The Global Village Voice”), Feb. 1977 [8]

W-X-Y-Z
Wall Street Journal (“The Gall Street Journal”), May 1970 [2 broadsheet]
Weight Watchers (“Weighty Waddlers”), June 1974 [7]
Wet (“Moist”), Dec. 1981 [9]
The Whole Earth Catalog (“The Last, Really, No Shit, Really, the Last Supplement to the Whole Earth Catalog”), Jan. 1972 [7]
Working Woman (“Working Girl”), Nov. 1983 [11]

Appendix A: Genre Parodies, by Type:

Alumni: (“Skidmark: The Alumni Magazine of Skidmark College”), Sept. 1983 [11]
Art studies: (“Modes d’Art Magazine” for June 1926), Feb. 1976 [6]
Boys’ magazines: (“Cap’n Jasper’s Boy O Boy,” May 1935), June 1975 [8]
College humor: (“The Spitoon,” for 1877), 199th Birthday Book, 1975 [2]
Confession: (“True Finance”), May 1970 [4]
—–: (“True Politics”), Aug. 1972 [10]
Crime: (“Citizen’s Arrest”), Aug. 1975 [7]
Fan & gossip mags: (“Screen Slime”), Sept. 1970 [10]
—–: (“Myth & Legend Mirror” for Oct. IV B.C.), Oct. 1975 [5]
—–: (“Silver Jock: The Demi-Decadent Sports Magazine), April 1976 [7]
—–: (“Mersey Moptop Faverave Fabgearbeat” for Oct. 1964), Oct. 1977 [8]
—–: (“Mitch Springer: A Loving Tribute”), April 1982 [5]
—–: (“Big Screen”), June 1991 [36]
Fashion: (“Guerre: The New Magazine for the New Army”), Sept. 1973 [7]
Fitness: (“Muscle Mind”), Sept. 1984 [7]
—–: (“Peppy: The High-Potency Magazine of Fitness and Health”), Jan. 1987 [12]
Golf: (“Duffer’s Digest”), 1996 [9]
Guns: (“Gun Lust”), June 1973 [11]
—–: (“Guns & Sandwiches”), July 1974 [6]
High school: (“Leaf & Squib” for Spring 1964), 1964 High School Yearbook Parody, 1974 [14]
Homemaker: (“Negligent Mother”), Jan. 1975) [6]
Inflight: (“Stampede: Prairie Central/Panhandle Airlines Magazine”), April 1974 [8]
Men’s: (“Real Balls Adventure”), April 1971 [11)
—–: (“Knuckle: A Real Man’s Magazine”), June 1973 [5]
—–: (“Real-Life Adventure”), June 1980 [4]
Newspaper: (“The Dacron-Republican-Democrat”) Sunday Newspaper Parody, 1978 [104]
Newspaper, college: (“The Daily Klaxon”), Sept. 1975 [4]
Newspaper, high school: (“The Prism,” May 11, 1964), 1964 High School Yearbook Parody, 1974 [8]
Newspaper, tabloid: (“Stranger Than Fact”), Nov. 1986 [7]
Newspaper, underground: (“The Daily Roach Holder”), August 1970 [6]
Newspaper magazine section: (“Sunday Week”), Sunday Newspaper Parody, 1978 [16]
Pulp mags: (“Unexciting Stories,” undated but 1930s), Sept. 1974 [4+]
Trade paper: (“Hollywood Briefs”), July 1975 [4]
TV listings: (“American Home Movie Box Program Guide”), Oct. 1981 [4]
—– (“Unofficial 1984 Olympic TV Watcher’s Guide”), Aug. 1984 [16 digest-size]
UFOs: (“Real Business Jet”), March 1980 [5]
Visitor guides: (“Why Leave This Room?”) Aug. 1982 [5]

Appendix B: Parodies of Multiple Titles:

* “The Hot New Lineup for 1986 from Condom-Nasty Publications” (covers of STD-focused versions of Harper’s Bazaar, Reader’s Digest, New Age Journal), Sept. 1985 [2].
* “The Real Story of Rock ‘n’ Roll” (told in fake clips from the New York Post, People, Jet, etc.), Oct. 1985 [7].

National Lampoon Parodies, 1970-2006

Posted on January 28, 2018 by Cullum Rogers

Clockwise from Mozart: Early parodies of Rolling Stone (1970), Playboy (1973) and Life (1973), a special for Print (1974); late parodies of the Times Magazine (1984) and Vanity Fair (1990).

This week’s debut on Netflix of another movie about the early years of National Lampoon — not a documentary this time, a biopic of Doug Kenny — provides all the excuse I need to catalog its magazine and newspaper parodies. Founders Kenney, Henry Beard and Rob Hoffman honed their chops aping Playboy, Life and Time at the Harvard Lampoon , so it’s no surprise magazine parodies were highlights of NatLamp’s Golden Age (roughly 1971-75) and bright spots in the silver-plated years that followed (roughly 1976-84; the mag’s post-1984 content is mostly lead).

The contract licensing the “Lampoon” name to Twenty-First Century Communications explicitly barred the national version from milking Harvard’s cash cow. The closest National Lampoon ever came to producing a full-length, stand-alone magazine parody was the November 1977 “Lifestyles” issue, which aped New York from cover lines to crossword puzzle without quite admitting what it was up to. Fortunately, the contract said nothing about parodies of generic high-school yearbooks and small-city Sunday papers, leaving the door open for NatLamp’s masterpieces.

Top: NL’s “Lifestyles” issue (Nov. 1977); bottom: New York pages from 1976-77.

National Lampoon’s fake publications fall into four types: inventions, genre spoofs, mutations and plain ol’ parodies. Like Mad’s fake mags for protesters, schoolteachers and what-have-you, the inventions were vessels for satire aimed at some other target. And as with the earlier Mad index, they’re not listed here. Genre spoofs imitated types of publications — often fan magazines or gossip tabloids — without cloning any one title. Examples include “Real Balls Adventure” for men (April 1971) and the inflight magazine “Stampede” (April 1974). I suspect some items I’ve put in this category have specific models I’m not familiar with, and I’d welcome additional info.

The mutations spoofed specific titles but tinkered with their DNA, making My Weekly Reader a scandal sheet (Sept. 1971) or switching Hot Rod’s focus from gearheads to tree-huggers (“Warm Rod,” April 1975). A few were relatively straight counterfactuals: e.g., the parodies of Look, Jet and the Village Voice in the JFK Fifth Inaugural issue (Jan. 1977). Others put familiar mags in Bizarro worlds where plants crave porn (“Seed,” Aug. 1974) and military service is a fashion statement (“Guerre,” Sept. 1973). This approach reached perfection in “Playdead” ( Jan. 1973), which exposed the airbrushed unreality of Playboy simply by redirecting its covetous ogle from skin to bones.

Four kinds of fakes: Invented, genre, mutated, and plain ol’ parody.

The plain ol’ parodies dispensed with what-ifs and tackled publications just as they were. This group includes many NatLamp’s classics, including “Mad” (Oct. 1971), the 1943 “Life” (Sept. 1973) and what I consider its last first-rate feature of any kind, a 19-page sendup of The New York Times Magazine in June 1984. Also included are a few items that aren’t strictly parodies but capture the essence of a publication, such as “Ron Hague’s Year of Rejected New Yorker Covers” (Dec. 1983) and “National Lampoon’s 1974 New Year’s Resolutions” (Jan. 1975).

This list is divided into three unequal parts: parodies in regular issues, those in books and specials containing new material, and those in non-NL publications. (The last section contains only one item, but it’s a hoot if you’re into graphic design.) Each entry in Section 1 begins with the name of the publication being parodied, in italics; followed by the fake title or article name, in parentheses; the NatLamp issue date; and the page count, in brackets.

A phrase like “5 pages on 3” means each magazine page contained two or more digest-size parody pages; the word “broadsheet” describes a few newspaper parodies that folded out to 17″ by 22″. Parodies of old magazines have their cover dates noted inside the parentheses: e.g., “Popular Workbench” for Aug. 1938.

A version of this list in alphabetical instead of chronological order will appear in my very next post. —VCR

Section 1: Parodies in National Lampoon Magazine, 1970-98:

1970
Avant Garde (“Avant Gauche” ad: “Rockwall’s Erotic Engravings”), April 1970 [3]
Playboy (foldout: “Liberated Front” + “Party Jokes”), April 1970 [6]
Genre: confession (“True Finance”), May 1970 [4]
Wall Street Journal (“The Gall Street Journal”), May 1970 [2 broadsheet]
Harper’s Bazaar (“Bizarre”), June 1970 [5]
Life [pictue mag] (article: “Our Threatened Nazis”), June 1970 [2]
Genre: underground newspaper (“The Daily Roach Holder”), August 1970 [6]
Genre: movies (“Screen Slime”), Sept. 1970 [10]
Variety (“Varietsky” front page), Sept. 1970 [1]

1971
Cosmopolitan (“Cosmopolatin”), Jan. 1971 [15]
Rolling Stone (“Rolling Stein,” Dec. 9, 1791), Feb. 1971 [3]
TV Guide (“The New York Review of TV”), March 1971 [5 pages on 3]
Genre: men’s (“Real Balls Adventure”), April 1971 [11)
Life [humor mag] (“National Lampoon,” May 1906), May 1971 [7]
New York Times (“The New York World”), May 1971 [2 broadsheet]
My Weekly Reader (“My Weekly Reader: The Children’s Tabloid”), Sept. 1971 [4]
Mad (“Mad”), Oct. 1971 [15]
Esquire (article: “The Incredible Shrinking Magazine”), Nov. 1971 [3]

1972
The Whole Earth Catalog (“The Last, Really, No Shit, Really, the Last Supplement to the Whole Earth Catalog”), Jan. 1972 [7]
Screw (“Third Base: The Dating Newspaper,” April 1956), April 1972 [8]
Playboy (article: “Gamma Hutch: The Playboy Fallout Shelter,” Dec. 1959), April 1972 [4]
Genre: true story (“True Politics”), Aug. 1972 [10]
National Geographic (“National Geographic”), Sept. 1972 [3]
New York Times (“The New York Times”), Oct. 1972 [1 page on 2]

1973
Playboy (“Playdead”), Jan. 1973 [14]
Screw (“Piddle: The Adult Publication for Children”), Feb. 1973 [8]
National Enquirer (“National Inspirer”), March 1973 [8]
Ebony (“Ivory”), April 1973 [7]
Genre: guns (“Gun Lust”), June 1973 [11]
Genre: men’s (“Knuckle: A Real Man’s Magazine”), June 1973 [5]
Popular Mechanics (“Popular Workbench,” Aug. 1938), July 1973 [14]
Psychology Today (“Psychology Ptoday”), Aug. 1973 [15]
Genre: fashion (“Guerre: The New Magazine for the New Army”), Sept. 1973 [7]
Life (“Life,” Sept. 28, 1943), Sept. 1973 [13]
Reader’s Digest (article: “Martial Mirth”), Sept. 1973 [1]
Oui (“Peut-etre” article: “Taffy”), Oct. 1973 [4]
Sports Illustrated (“Sports Illustrated”), Nov. 1973 [13]
Tiger Beat (“Poon Beat”), Dec. 1973 [10]

1974
Penthouse (“Pethouse”), Jan. 1974 [9]
Popular Science (“Popular Evolution”), Jan. 1974 [11]
National Lampoon (“National Lampoof”), Feb. 1974 [11]
U.S. News & World Report (“Stupid News & World Report”), March 1974 [7]
Genre: inflight (“Stampede: Prairie Central/Panhandle Airlines Magazine”), April 1974 [8]
Reader’s Digest (“Digester’s Reader” front & back covers only), June 1974 [1]
Weight Watchers (“Weighty Waddlers”), June 1974 [7]
Genre: guns (“Guns & Sandwiches”), July 1974 [6]
Family Circle (“Famine Circle”), July 1974 [8]
Screw (“Seed”), Aug. 1974 [8]
Genre: pulps (“Unexciting Stories,” undated but 1930s), Sept. 1974 [4+]
Ladies’ Home Journal (“Old Ladies’ Home Journal”), Sept. 1974 [8]
National Midnight (“Almost Midnight”), Sept. 1974 [4]
Playboy (ad: What Sort of Man Reads Pl*yb*y?”), Oct. 1974 [1]
Boys’ Life (“Boys’ Real Life”), Oct. 1974 [10]
Awake! (“Wise Up!”), Dec. 1974 [3 half-pages]

1975
National Lampoon (article: “NL’s 1974 New Year’s Resolutions”), Jan. 1975 [5]
Genre: homemaker (“Negligent Mother”), Jan. 1975 [6]
Modern Bride (“American Bride”), Feb. 1975 [10)
The New Yorker (“The New Y*rker”), March 1975 [13]
Time (article: “Partly Sane, Raspberries, and Time”), March 1975 [3]
Hot Rod (“Warm Rod”), April 1975 [7]
JAMA: Journal of the American Medical Association (“COMA: Circular of the Organization of Medical Associations”), May 1975 [8]
National Star (“National Sore”), May 1975 [4]
Genre: boys’ magazines (“Cap’n Jasper’s Boy O Boy,” May 1935), June 1975 [8]
Genre: show-biz trade paper (“Hollywood Briefs”), July 1975 [4]
After Dark (article: “Glitter Bums”), July 1975 [3]
Harvard Lampoon (article: “The Ten Worst Movies of All Time”), July 1975 [1]
Genre: true crime (“Citizen’s Arrest”), Aug. 1975 [7]
Esquire (“Exsquire”), Sept. 1975 [12]
Genre: college newpapers (“The Daily Klaxon”), Sept. 1975 [4]
Penthouse (article: “The Resister’s Revenge”), Sept. 1975 [6]
Genre: gossip (“Myth & Legend Mirror” for Oct. IV B.C.), Oct. 1975 [5]
Fortune (“Lucre”), Dec. 1975 [12]
Moneysworth (two subscription ads for “Nickleknows”), Dec. 1975 [1+1]

1976
New Times (“Nu? Times” cover only), Jan. 1976 [1]
New York Review of Books (“The New York Review of Us”), Jan. 1976 [8]
ARTnews (“ARTynews”), Feb. 1976 [13]
Genre: art studies (“Modes d’Art Magazine” for June 1926), Feb. 1976 [6]
The Sporting News (“The Sportbiz News”), April 1976 [6]
Genre: fan & gossip (“Silver Jock: The Demi-Decadent Sports Magazine), April 1976 [7]
Cahiers du Cinema (“Cahiers du TV”), May 1976 [4]
The Times of India (“The Times of Indira”), May 1976 [3]
The Canadian Magazine (“The Canadian Weakly,” June 8, 1969), June 1976 [6]
Hustler (“Gobbler”), Aug. 1976 [5]
Newsweek (cover + article: “Townville, Iowa”), Nov. 1976 [2]
People (“Objects”), Dec. 1976 [5, no cover]

1977
The Kiplinger Washington Letter (“The Kremlinger Moscow Letter”), Jan. 1977 [2]
Scientific American (“Scienterrific American”), Jan. 1977 [10]
Look (“Kennedy”), Feb. 1977 [11]
Jet (“Tar”), Feb. 1977 [6, digest-size]
The Village Voice (“The Global Village Voice”), Feb. 1977 [8]
TV Guide (“TV”), Apr. 1977 [16, digest-size]
Better Homes and Gardens (“Better Homes and Closets”), May 1977 [11]
Money Matters (“Young Money Matters”), June 1977 [4]
Penthouse (“Repenthouse”), July 1977 [5]
High Times (“Wasted Times”), Aug. 1977 [7]
Amazing Stories (“Amusing Stories” for Oct. 1926), Sept. 1977 [3]
Mad (article: “You Know You’re Grown Up When…”), Sept. 1977 [2]
Genre: fan & gossip (“Mersey Moptop Faverave Fabgearbeat” for Oct. 1964), Oct. 1977 [8]
The New York Times (“The New York Time”), Oct. 1977 [front page on 2]
New York (“Lifestyles”), Nov. 1977 [42 + front cover]
Time (“Xmas Time”), Dec. 1977 [5]

1978
National Review (“National Socialist Review”), Feb. 1978 [8]
Outside (“OutSSide” subscription ad), Feb. 1978 [3]
Reader’s Digest (article: “Rumpus Room Rib-Ticklers”), May 1978 [2]
Seventeen (“Savvyteen”), Aug. 1978 [8]
GQ (“RQ: Regular Guy Quarterly”), Sept. 1978 [4]
Variety (“Movies”), Oct. 1978 [4]

1979
Life (“Lite”), April 1979 [8]

1980
Genre: UFOs (“Real Business Jet”), March 1980 [5]
Genre: men’s (“Real-Life Adventure”), June 1980 [4]
The New Yorker (article: “Coming Into the River,” by “John McPhoo”), June 1980 [6]
National Enquirer (“The Washington Enquirer”), Aug. 1980 [4]

1981
People (article: “Douglas Waterman Caps a Big Year”), May 1981 [4]
New York Times Book Review (article: “Would You Like Something to Read?”), Aug. 1981 [2+]
Time (Special Section: “Let’s Get It Up, America”), Aug. 1981 [27]
New York Times Magazine (article: “Talking Out Loud: College Slang of the Eighties,” by “William Zircon”), Sept. 1981 [1+]
Genre: TV listings (“American Home Movie Box Program Guide”), Oct. 1981 [4]
The Hollywood Reporter (“The Hollywood Informer”), Oct. 1981 [5]
Esquire (“Esquare”), Dec. 1981 [13]
Interview (“Interluude”), Dec. 1981 [11]
Wet (“Moist”), Dec. 1981 [9]

1982
Heavy Metal (“Semi Mental” art portfolio), Jan. 1982 [6]
Cinefantastic (“Cinefantasterrifique”), Jan. 1982 [5]
Jack and Jill (“Jack and Jill St. John”), Feb. 1982 [5]
Playboy (article: “Parents of the Girls of the Eastwest Conference”), Feb. 1982 [2]
Playboy (article: “The Playboy Advisor”), Feb. 1982 [1]
Gourmet (“Goormay”), March 1982 [9]
Road & Track (“Food & Track”), March 1982 [5]
Genre: fan & gossip mags (“Mitch Springer: A Loving Tribute”), April 1982 [5]
Self (“Self-Destruct”), April 1982 [5]
Genre: visitor guides (“Why Leave This Room?”) Aug. 1982 [5]
New York Times Magazine (article: “Talking Out Loud: The Customers Always Write,” by “William Zircon”), Aug. 1982 [1+]
National Enquirer (“National Sexloid”), Sept. 1982 [5]
National Lampoon (article: “False Facts”), Sept. 1982 [1]
Time (article: Henry Kissenger’s “Years of Arousal”), Sept. 1982 [6]
Rolling Stone (“Rolling Tombstone”), Nov. 1982 [9]

1983
The Dial (“hy-Art: The Magazine of the Precious Broadcasting System”), Jan. 1983 [7]
Travel & Leisure (“Postage & Handling”), Feb. 1983 [7]
The Atlantic (“The Hotlantic”), April 1983 [9]
National Geographic (“National Southpacific”, May 1983 [13]
Playboy (article: “Dear Playmates”), June 1983 [1]
Genre: alumni (“Skidmark: The Alumni Magazine of Skidmark College”), Sept. 1983 [11]
New York (“Jo’burg”), Sept. 1983 [9]
Working Woman (“Working Girl”), Nov. 1983 [11]
The New Yorker (article: “Ron Hauge’s Year of Rejected New Yorker Covers”), Dec. 1983 [4]

1984
Time (“Time”), Jan. 1984 [35]
Easyriders (“Equalriders”), March 1984 [11]
New York Times Magazine (“The New York Times Magazine”), June 1984 [19]
The New Yorker (“The Hymie Towner” cover only), June 1984 [1]
People (“PLO” article: “Nor More Mr. Bad Guy For Yassir Arafat”), July 1984 [4]
Genre: TV listings (“Unofficial 1984 Olympic TV Watcher’s Guide”), Aug. 1984 [16 digest-size]
Genre: fitness (“Muscle Mind”), Sept. 1984 [7]

1985
Forum (“Whorum”), Jan. 1985 [8]
Seventeen (“Deadteen”), July 1985 [7]
Easyriders (“Easywriters”), Sept. 1985 [8]
Multiple titles (article: “The Hot New Lineup for 1986 from Condom-Nasty Publications,” with covers of STD-focused versions of Harper’s Bazaar, Reader’s Digest and New Age Journal), Sept. 1985 [2].
Rolling Stone (“Rollin’ Home” for Itinerant Bluesmen), Oct. 1985 [6]
Multiple titles (article: “The Real Story of Rock ‘n’ Roll,” told in fake clips from the New York Post, People, Jet, etc.), Oct. 1985 [7].
Playboy (“Slayboy”), Dec. 1985 [8]

1986
Fortune (“Misfortune”), Feb. 1986 [13]
National Lampoon (“National Tampoon”), March 1986 [6]
Playboy (article: “Feminist Party Jokes”), March 1986 [1]
Sports Illustrated (“Sports Hallucinated”), May 1986 [7]
Playboy (article: “Interview: Steven Spielberg”), Aug. 1986 [3+]
Genre: tabloid (“Stranger Than Fact”), Nov. 1986 [7]

1987
Genre: fitness (“Peppy: The High-Potency Magazine of Fitness and Health”), Jan. 1987 [12]

1988
Playboy (“Playbyte”), Feb. 1988 [10]
Sporting News (“The Sporting Muse”), Oct. 1988 [10]

1989
Rolling Stone (“Rolling Stone”), Feb. 1989 [7]
Playboy (article: “Girls of the Community Colleges”), Oct. 1989 [4]
Martha Stewart Entertaining (“Martha Stewart’s Entertaining the K-Mart Way”), Dec. 1989 [3]

1990-1998
Rollling Stone (“Perception/Reality” ad), Feb. 1990
Vanity Fair (“Vanity Fair”), June 1990 [10]
Genre: movies (“Big Screen”), June 1991 [36]
Rolling Stone (article: “Have War, Will Travel,” by “P.J. O’Drunke”), Aug. 1991 [2]
Muscle & Fitness (“Muscle & Fatness”), March 1994 [9]
Guns & Ammo (“Liquor & Ammo”), Aug. 1994 [10]
Reader’s Digest (“Reader Digest”), Jan.-Feb. 1995 [10]
Genre: golf (“Duffer’s Digest”), 1996 [9]
National Enquirer (“Roman Eqvirer”), 1996 [4]
Inc. (“stInc.”), 1998 [13]

Section 2: Parodies in Special Editions and Books, 1974-2006:

In the 1964 High School Yearbook Parody, special edition, Summer 1974:
Genre: high school newspaper (“The Prism” for May 11, 1964) [8]
Genre: high school literary magazine (“Leaf & Squib” for Spring 1964) [14]

In NL’s 199th Birthday Book, special edition, 1975:
Genre: college humor (“The Spitoon,” for 1877) [2]
Kiplinger Washington Letter (“The Hamilton Philadelphia Letter,” Sept. 18, 1787) [2]
Popular Mechanics (“Tomorrow’s Future Homebody” for June 1946) [3]

In NL’s Sunday Newspaper Parody, special edition, Feb. 1978:
Genre: newspaper (“The Dacron-Republican-Democrat”) [104, in 8 sections]
Genre: newspaper magazine section (“Sunday Week”) [16]
Parade (“Pomade”) [16]

In NL Magazine Rack (New York: National Lampoon Press, 2006):
Consumer Reports (“Consumed Reports”), from nationallampoon.com, June 2004 [4]
The Hollywood Reporter (“The Hollywood Retorter”), limited distribution, Dec. 2002 [16]
Men’s Health (“Man’s Health”), from nationallampoon.com, June 2002 [4]
TV Guide (“Al-Jazeera TV Guide”), from nationallampoon.com, Nov. 2004 [4]

Section 3: Parodies in Non-National Lampoon Publications:

Print (“National Lampoon Graphics Parody Section”), in Print, July-Aug. 1974 [8 + cover]

Parodies in Mad, 1954-2017

Posted on September 5, 2017 by Cullum Rogers

Wikipedia helpfully lists all of Mad’s movie and TV-show spoofs, but I believe this is the first attempt to catalog parodies of publications. Real, identifiable publications, that is: I’m not counting the fake lifestyle mags for groups like beatniks and hippies and mobsters Mad has perpetrated over the years. I’m also ignoring articles that show a bunch of different titles pulling the same gag: e.g., “Jack and Jill as Retold by Various Magazines (June 1959), “Magazines for Senior Citizens” (June 1961), etc. Everything listed here had at least one full page devoted to it.

“The Bunion,” 2002.

Unlike TV and movie spoofs, magazine parodies never became a staple of Mad’s editorial mix, and they’ve grown rarer as its target audience drifts away from boring old print. More than half the longer parodies appeared in the 1950s and ’60s, with the most recent in 2001. Many were designed by John Putnam, Mad’s art director from 1954 to 1980, whose fascination with the details of layout and typography was rivaled only by National Lampoon’s Michael Gross. Significantly, when Mad took a poke at The Onion in 2002, it targeted theonion.com, not the print edition. Since then there have been similar digs at The Huffington Post (2014) and Cracked (2016).

The list has two sections: multi-page parodies – usually consisting of a front page or cover and three or more inside pages — and cover-only parodies. Section 1.B lists parodies done as bonuses in Mad annuals, which tended to be longer and more colorful that those in the magazine, with pages the same size and paper stock as their targets’. The biggest parody in a regular issue was a 16-page spoof of Entertainment Weekly in April 1998 that doubled as a test-run for Mad’s switch to inside color and slick paper (and the real ads that would pay for them). “Entertain-Me Weakly” generated a flurry of media coverage, but nothing as ambitious has been done since.

“Sik-teen” in issue #121 (1968) was the only Mad parody to begin on the back cover and continue inside. Frank Frazetta’s Ringo first appeared in the “Blecch” Shampoo ad in issue #90 (1965).

Section 2 deals with cover-only parodies. Such brief spoofs usually leave me wanting more, but some of Mad’s are priceless. Basil Wolverton’s Life-like “Beautiful Girl of the Month” on the front of Mad comics #11 (May 1954) may be the most famous, but for my money the funniest is Mark Fredrickson’s version of Vanity Fair’s kiss-up to Tom Cruise and family in issue #472 (Dec. 2006). Both appeared on Mad’s front cover, but most fake covers have run on the back, where they’re subject to mutilation by Fold-In fanatics. Since the late ’90s, Mad has done most of its magazine spoofing in the annual “20 Dumbest People, Places and Things” survey.

Making 1 + 1 (pages of Mad) = 3 (pages of parody) in issue #34 (1957).

Each listing begins with the name of the publication being parodied, in italics; followed by the fake title or article name, in parentheses; the Mad issue date and number; the length of the parody (if more than one page); and the names of the writer(s) and artist(s), in that order, separated by a slash (/). A phrase like “9 pages (on 5)” means one page of Mad contained two or more digest-size parody pages; the phrase “no cover” flags a couple of early parodies that didn’t have one; and “(p)” indicates a photographer. The writer and artist credits are from Doug Gilford’s Mad Cover Site, to whom all thanks. — VCR

1. Multi-page parodies …
A. … in Mad regular issues, 1954-2001:

The Daily News (“Newspapers!”), Oct. 1954 (#16). Front cover + 7 pages. Harvey Kurtzman/Jack Davis.
Confidential (“Confidential Information”), Aug.-Sept. 1955 (#25). 6 pages (no cover). Kurtzman/Will Elder.
Field & Stream (“Field & Scream”), Jan.-Feb. 1957 (#31). 5 pages (no cover). Kurtzman/Davis.
TV Guide (“TV Guise”), July-Aug. 1957 (#34). 9 pages (on 5). Paul Laikin/Bob Clarke.
Better Homes and Gardens (“Bitter Homes and Gardens”), Mar.-Apr. 1958 (#38). 5 pages. Tom Koch/Wallace Wood.
The Saturday Evening Post (“… Pest”), May-June 1958 (#39). 6 pages. Koch/Clarke.
Pravda, July 1958 (#40). 4 pages. Frank Jacobs/Wood.
National Geographic (“National Osographic”), Sept.-Oct. 1958 (#41). 5 pages. Koch/Wood.
Look (“Gook”), Mar. 1959 (#45). 7 pages. Koch/Wood.
True Confessions (“Blue Confessions”), Oct. 1959 (#50). 9 pages (on 3) Laikin/Wood.
Modern Screen[?] (“Movie Land”), Apr. 1960 (#54). 5 pages. Larry Siegel/Joe Orlando.
The Wall Street Journal (“… Jungle”), Mar. 1961 (#61). 4 pages. Phil Hahn/.
Playboy (“Playkid”), Mar. 1961 (#61). 7 pages. Siegel/Clarke.
Ladies’ Home Journal (“… Journey”), Apr. 1961 (#62). 6 pages. Koch/Orlando.
Reader’s Digest (“Reader’s Digress”), Dec. 1961 (#67). 9 pages (on 5). Siegel/Orlando.
Popular Mechanics/Popular Science (“Popular Scientific Mechanics”), Sept. 1963 (#81). 7 pages. Al Jaffee/Clarke.
Hair Do (“Hair Goo”), June 1965 (#95). 6 pages. Jaffee/Jack Rickard.
Road & Track (“Load & Crash”), Sept. 1965 (#97). 6 pages. Koch/George Woodbridge.
National Enquirer (“National Perspirer”), Apr. 1966 (#102). 5 pages. Siegel/Jaffee.
16 (“Sik-Teen”), Sept. 1968 (#121), Back & inside-back covers + 6 pages. Siegel/Rickard, Davis.
Consumer Reports (“Condemner Reports”), Jan. 1970 (#132). 6 pages. Dick DeBartolo/Clarke, Irving Schild (p).
Popular Photography (“Popular Photomonotony”), June 1975 (#175). 6 pages. DeBartolo/Schild (p).
Consumer Reports (“Consumer Reports for Government Agencies”), March 1979. 4 pages. DeBartolo/.
TV Guide (“Mad’s ‘TV Guide’ Textbook”), June 1980 (#215). 7 pages (on 5). Lou Silverstone/Woodbridge.
Mad (“The Book of Mad” [Biblical Parody]), Dec. 1983 (#243). 5 pages. Silverstone/Paul Coker, Dave Berg, Don Martin, Rickard, Davis, Clarke, Woodbridge.
Parade (“Charade”), Sept. 1993 (#321). 4 pages. Charlie Kadau, Joe Raiola/Sam Viviano.
Entertainment Weekly (“Entertain Me Weakly”), Apr. 1998 (#368). 16 pages. Scott Brooks/Drew Friedman, Joe Favarotta.
Generic muscle magazine (“Bulging Man”), Aug. 1999 (#384). 8 pages. Scott Maiko/Scott Bricher, Schild (p), Sean Kahlil (p)
Generic tattoo mag (“Maimed Flesh”), Sept. 2001 (#409). 8 pages. Maiko/Hermann Mejia.

Bonus parodies in or from More Trash # 6 (1962) and Specials #8 (1972) and #19 (1976).

B. … in Mad Annuals, 1961-1976:

Puck: The Comic Weekly (“A Sunday Comics Section We’d Like t0 See”), in The Worst From Mad #4, 1961. 8 broadsheet pages. /Wood, Orlando, Clarke, Woodbridge.
TV Guide (“TV Guise”), in More Trash from Mad #6, 1963. 16 digest-size pages. Aron Mayer Larkin/Lester Kraus (p).
TV Guide (“TV Guise” Fall Preview Issue), in Mad Special # 8, Fall 1972. 16 digest-size pages. Koch/Schild (p).
Mad (“Madde”), in Mad Special #19, Fall 1976. 24 pages. All the regulars.

2. Cover-only parodies …
A. …on Mad front covers, 1954-2006:

Life (“Mad”), May 1954 (#11). “Beautiful Girl.” /Basil Wolverton.
Time (“Mad”), Sept. 1982 (#233). Pac Man: Man of the Year. /Clarke.
Time (“Mad”), March 1987 (#269). Alfred E. Neuman as Max Headroom. /Richard Williams.
People (“Mad”), Jan. 1991 (#300). Alfred as “Sexiest Schmuck Alive!” /Norman Mingo.
Vanity Fair (“Mad”), Dec. 2006 (#472). Alfred as Suri Cruise. /Mark Fredrickson.

Real and parody covers of SatEvePost and Vanity Fair.

Mad on the Post’s redesign (back cover #62) and VF’s Suri Cruise hoopla (front cover #472).

B. …on back covers, 1958-2000:

Reader’s Digest (“Reader’s Disgust”). Jan.-Feb. 1958 (#37). /Orlando.
Saturday Evening Post. March 1962 (#69). /Mingo.
Newsweek (“Newsweak”), Dec. 1963 (#83). /Kraus (p).
The New Yorker. March 1977 (#189). Bill Johnson Jr./Clarke.
WWF Magazine (“WWWF: Witless Windbag Wrestlers Federation Magazine”), July 1987 (#272). /Schild (p).
Sports Illustrated (“Sports Titillated”), April 1988 (#278). /Schild (p).
Metal Edge (“Metal Sludge”), July 1989 (#288). Kadau, Raiola/Schild (p).
Typical teen mag (“StupidTeen”), Sept. 1991 (#305). Kadau, Raiola/.
GQ (“Geek’s Quarterly”), March 1992 (#309). William T. Rachendorfer, Andrew J. Schwartzberg/.
Sassy (“Sasssy”), Jan. 1993 (#316). Kadau, Raiola/Jacques Chenet (p)
Martha Stewart Living (“…Dying”), May 1997. Meredith Anthony, Larry Light, Alison Power/Schild (p).
Maxim (“Maximum”), July 2000. Jeff Kruse/AP, Wide World (p).

C. …in the annual “20 Dumbest” list, 2000-2017:

People, Jan. 2000 (#389). “JFK Jr. crash coverage.” David Shayne, Raiola/.
Playboy, Jan. 2001 (#401). “Darva Conger.” Dave Croatto/.
Time, Jan. 2002 (#413). “Anne Heche.” Greg Leitman/.
Martha Stewart Living (“Martha Stewart Lying”), Jan. 2003 (#425). “Martha Stewart.” /Scott Bricher.
Teen People (“Dumb Teen People”), Jan. 2004 (#437). “Jessica Simpson.” Frank Santopadre/Schild (p).
Modern Bride (“Drunken Bride”), Jan. 2005 (#449). “Britney Spears.” Raiola, Kadau/Schild (p).
Modern Bride (“Runaway Bride”), Jan. 2006 (#461). “Jennifer Willibanks.” Kadau, Raiola/Bricher.
Sports Illustrated (“Sports Inebriated”), Jan. 2007 (#473). “Bode Miller.” Kadau, Raiola/Bricher.
Sporting News (“Snorting News”), Jan. 2008 (#485). “Keith Richards.” Jacob Lambert/Fredrickson.
Parenting (“Bad Parenting”), Jan. 2009 (#497). “Celebrity parents.” /Schild (p).
High Times, Jan. 2010 (#502). “Michael Phelps.” Uncredited.
Women’s Wear Daily (“…Deli”), Jan. 2011 (#507). “Lady Gaga.” Barry Liebman/Bricher.
Scientific American (“Unscientific American”), Jan. 2013 (#519). “Todd Akin.” Scott Nichol/.
Money (“Fake Money”), Feb. 2014 (#525).”The Winklevoss twins” /Mike Lowe.
Better Homes and Gardens (“Better Homes unGuarded”), Feb. 2015 (#531). “White House security.” Uncredited.
Sports Illustrated (“Sports Segregated”), Feb. 2015 (#531). “Donald Sterling.” /Friedman.
People (“Deplorable People”), Feb. 2017 (#543). “Donald Trump.” Uncredited.

More New Yorker parodies online

Posted on June 19, 2016 by Cullum Rogers

New Yorker parodies from Northwestern and Dartmouth

New Yorker parodies from Northwestern (1942) and Dartmouth (2006).

In case “The Neu Jorker” doesn’t sate your appetite for fake New Yorkers, here are two more you can read in their entirety online:

Parody Of: The New Yorker. Title: “The New Yorker.”
Parody By: Northwestern Purple Parrot. Date: February 1942. Pages: 36.
Contributors: Portia McClain, Mary Ellen Sams (editors), et al.
Availability: Online here in the Northwestern University Library.

College humor magazines flourished from the 1920s through the ’60s. Now that most are safely dead, the same institutions that barely tolerated them alive are digitizing the remains. Northwestern University, for one, has a nearly complete run of the Purple Parrot in its online archive. The Parrot (1921-1950) was not so much a humor magazine as a general-interest mag with a large humor section, but in the 1940s it imitated a different publication almost every year. In February 1942, it chose The New Yorker.

The Parrot‘s version — called, oddly enough, “The New Yorker” — is more an impersonation than a parody: The “Talk” items, articles and reviews concern Evanston, Illinois, rather than Manhattan, but they’re straight-faced and factual. The “Profile” is of future TV star Garry Moore, then a young local radio emcee; and the “Department of Correction” is a real letter complaining of errors in the previous issue. Like most collegiate parodists, the Parrot crew easily nail The New Yorker‘s typeface and layout but can’t touch the effortless-looking professionalism of its art. Some of the cartoons are funny enough to overcome their visual awkwardness, but overall the Parrot’s “New Yorker” has more to offer Northwestern alums than parody buffs.

"My Face," from Dartmouth's 2006 New Yorker parody

“My Face,” by “John Terwilliger” (Mike Trapp) in “The Nü Yorker.”

Parody Of: The New Yorker. Title: “The Nü Yorker.”
Parody By: Dartmouth Jack-O-Lantern. Date: Fall 2006. Pages: 28.
Contributors: Cole Entress, Fred Meyer, Alex Rogers, Owen Parsons (editors), et. al.
Availability: Online here at the Jack-O-Lantern.

The Dartmouth Jack-O-Lantern‘s “Nü Yorker,” unlike the Purple Parrot‘s, is all fake and strictly for laughs, from Jerry Lewis’s letter to the editor (“I respectfully request … that neither my social security number, nor a photostat of my birth certificate be reprinted in any subsequent issues”) to the caption contest featuring Jacko‘s favorite running gag, “Stockman’s Dogs” (two canines drawn in 1934 and present in nearly every issue since). Notably funny pieces include “Letter From A Truck Stop Outside Neola, NE: This Place Sucks”; a deranged “Profile” of a poor guy named Jack Napier who can’t convince the author he’s not the Joker; and a wonderfully pretentious poem, “Skipping Cultural Stones on the Sea of Aspersions.”

The Jacko folks don’t show much interest in parodying specific writers and artists, and in the “Talk of Town” they don’t even bother to use The New Yorker‘s detached, distinctive editorial “we.” Some of the cartoons are so aggressively dumb they’re funny, but too many look like they were drawn with chewed toothpicks; they’re out-of-place amid the clean design and cleverly faked ads. Such flaws are easily outweighed by the silliness of a piece like “My Face” (above) or a “Shouts and Murmurs” column made up entirely of voices murmuring and shouting. College humor mags were the breeding ground for this type of crazy/clever whimsy, and “The Nü Yorker” revels in it. — VCR

MagazineParody.com

Celebrating 225 Years of Newspaper and Magazine Parodies

Tag Archives: 2000s